My 2015 Balticon Schedule

May 21, 2015

I’ll be attending Balticon for the next four days, as I do every year. Here’s where you can find me:

FRIDAY

4:00 PM Retelling Fairy-Tales Across Media Garden
Alex Shvartsman (M), Sunny Moraine, Ruth Sanderson, Jo Walton, Melissa L Hayden (50 minutes)
9:00 PM Dangerous Voices Variety Hour Salon B
Sarah Pinsker (M), Michael Underwood (M), Alex Shvartsman (50 minutes)
Baltimore Science Fiction Society’s own readings series comes to Balticon once more! The Dangerous Voices Variety Hour takes its cues from such diverse inspirations as the popular 510 reading series, NPR’s quiz show: Wait Wait… Don’t Tell Me!, and Orson Welles’s original War of the Worlds broadcast. The hour long, free event features readings, irreverent author interviews, trivia, prizes, and more.

SATURDAY

3:00 PM Autograph – Saturday – 15:00 Autograph Table
Larry Hodges, Alex Shvartsman, Grig Larson (50 minutes)

SUNDAY

10:00 AM Exploring Publishing Platforms Salon D
Mike Allen, Neal Levin, Mike Luoma, Alex Shvartsman (50 minutes)
Desktop publishing has come a long way. Learn the ins and outs of the various publishing platforms.
11:00 AM How to Start Writing Derby
Michael Black (M), Paula S Jordan, Hugh J O’Donnell, Don Sakers, Alex Shvartsman (50 minutes)
Workshops, writing circles, and NaNoWriMo. How do you start writing, and how do you make sure you keep at it? Younger and beginning writers are encouraged to attend.
12:00 PM Putting a Pretty Face on Small Press Parlor 1041
Scott E Pond (M), Andrew Fox, Gail Z. Martin, Alex Shvartsman, Patrick Thomas (50 minutes)
Covers, often the bane of small press publishers. How do you put out a nice looking book without breaking the bank? What do you need to know when designing those covers and selecting cover art? What pitfalls should you watch out for that could mean the difference between looking pro and not.
1:00 PM Readings: Russ Colchamiro, Adam Ruben, Alex Shvartsman Chesapeake
Russ Colchamiro, Alex Shvartsman, Adam Ruben (50 minutes)
2:00 PM Starting your own Small Press Pimlico
Dave Robison (M), Andrew Fox, Gary L Lester, Alex Shvartsman (50 minutes)
Taxes, registration, a company name… there are so many things to consider before you even start. Learn some of the things you should be aware of before you take that plunge into the publishing mogul pool.

MONDAY

12:00 PM What Do Short Fiction Editors Want? Salon D
Mike McPhail, Bernie Mojzes, Alex Shvartsman, Joshua Palmatier (50 minutes)
What is the behind-the-scenes process of what happens at a magazine? From Slush to Sale panel

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New Publication: “Grains of Wheat” in Nature

May 20, 2015

GrainsOfWheat

This week’s issue of Nature includes “Grains of Wheat,” my story of big pharma, chess mythology, and revenge. You can read it here for free. There’s also a link from the story that leads to a brief essay about the inspiration and writing challenges behind it, which I hope readers of this blog will find interesting.

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Get a free copy of Dark Expanse: Surviving the Collapse anthology

May 14, 2015

Dark Expanse cover

Dark Expanse: Surviving the Collapse is FREE at Amazon for the next few days. Grab your copy!

And speaking of anthologies, all acceptances and rejections for UFO4 have gone out. I’m waiting on one rewrite request, and on all the contracts to come in, but I expect to announce the TOC early next week!

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My Albacon 2015 Schedule

May 7, 2015

This weekend I’ll be attending Albacon 2015 (well, technically it’s called Albacon 2014 1/2 because this year’s official Albacon is hosting the World Fantasy Convention later this year. But for all indents and porpoises….)

Anyhow, here’s my event schedule for the next three days:

Friday

2pm in Troy: Getting the Word Out

8pm in Latham: Ice Cream Social

Saturday

11am in Latham: Humor in SF

12:30 in lobby: Signing

1:30pm Reading (30 min)

2pm in Troy: Anthology Editing 101

4pm in Troy: Social Media

Sunday

No events scheduled for me — I shall roam the halls, and engage in wacky shenanigans.

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Kickstarter Creator Basics Videos

May 7, 2015

Kickstarter posted a series of brief Creator Basics videos on their YouTube channel, where Lisa Lucas, Daniel Jose Older, Farai Chideya and yours truly get to dispense some wisdom about preparing to launch a Kickstarter project in publishing and journalism fields.

This is pretty basic information (as advertised in the series’ title!) but if you are relatively new to Kickstarter and are thinking of creating a campaign, it’s a good start-off point.

Watch the videos here.

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New Sales and Publications

May 6, 2015

icarus-300

It’s been a while since I had the time to write an update, so here’s a brief rundown on some recent writing and publishing news.

The May issue of the Fantastic Stories of the Imagination has reprinted by story Icarus Falls (cover art above), which was originally published in Daily Science Fiction last year. It’s definitely one of my strongest stories, so if you haven’t read it yet, please do! FSoI is also running a crowdfunding campaign right now. They’re a worthy magazine, so please take a look and consider backing. There are lots of great fiction rewards available!

I also recently sold an original flash fiction story, “He Who Watches” to Fireside Magazine. This will be my first time appearing at Fireside, which is a very nice market as well, so I’m excited to have broken in.

I’m also excited that StarShipSofa, possibly the world’s top SF short fiction podcast, has selected a whopping six stories from my collection to produce for their show. The following stories will appear at StarShipSofa: Doubt, The Dragon Ships of Tycho, Ravages of Time, Price of Allegiance, The Far Side of the Wilderness and Dominoes Falling.

And speaking of the collection — it is very kindly reviewed in the May issue of Locus Magazine.  They talked about a dozen or so individual stories, drawing the following conclusion: “At any length, Shvartsman is an entertaining writer who can take on many voices and make them his.”

Finally, I’ve been hard at work on UFO4 and hope to announce the final TOC by next week!

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The Hook: Seriously Wicked by Tina Connolly

May 5, 2015

seriously-wicked

The Hook

I was mucking out the dragon’s garage when the witch’s text popped up on my phone.

BRING ME A BIRD

“Ugh,” I said to Moonfire. “Here we go again.”

Tina Connolly writes:

Seriously Wicked is a lighthearted YA novel about a girl who lives with a “seriously wicked” witch. Cam’s voice just popped into my head one day and the whole novel spilled out.

Now, there was lots of rewriting, of course! I wrote the first draft of this book before Ironskin. Seriously Wicked was my fifth completed novel, and the first what I thought of as a “really-truly” novel, a full-length novel I believed in and loved. Still, Seriously Wicked was my fifth novel, and Silverblind (my most recently-written novel, that came out Oct 2014) was my tenth. So, I like to think I’ve learned a little bit.

And one thing that happened with Seriously Wicked is that I rewrote the beginning. Again and again. Oh, right, and did I say again? Yes. Again. I kept coming back to this book between later novels and rewriting the whole novel, but particularly the beginning, because as we all know, your opening has to work very very hard to set the stage and tone and characters and hook the reader and everything else.

For fun, I thought I’d show you how much better the beginning got over time:

Draft 1. Book title: HOW I STOPPED THE WITCH WHO ATE MANHATTAN

Chapter One: Introduction To Me, aka CASH

Look. Say you’re a girl. And say someday you grow up and decide to be preggers. When you’re carrying around an innocent little baby with blue eyes and a kinda smooshed nose that everyone says someday she’ll grow into, then for the love of pete, do not under any circumstances say you just gotta have pickles dipped in chocolate.

Note: This is a terrible opening. I have no idea who CASH is. Also, as a reader, I don’t want to be accused of being A) a girl, B) preggers, and C) liking pickles and chocolate. The only thing good I can say about this opening is that putting these words down on the page made all the other words follow in a flood.

#

Draft 2. Book title: WITCH GIRL HEARTS DEMON BOY

Chapter One: Hot Seat

If you think your life stinks because you have to take out the recycling or vacuum your room or something normal like that, then listen up.

Every morning before school I got to start by collecting the dragon’s milk and mucking out her living quarters. There aren’t many dragons left, if any, but there’s one for sure living out back in the detached RV garage, big and warm and smelling of regret. The witch says one girl dragon doesn’t make any more noise than a chicken, and those are legal in the city, so so far she’s gotten away with it.

Note: Significantly better, but the opening sentence is still a bit aggressive (READER LET ME MAKE ASSUMPTIONS ABOUT YOU), and then we talk about dragons for awhile and I’m starting to wonder how long this is going on. (Note: It goes on for PAGES. Cam tells you about EVERY SINGLE ONE OF HER MORNING CHORES.)

#

Draft 78 (approximately). Book title: SERIOUSLY WICKED

Chapter One: Girl on Fire

If you think your life stinks because your musical mom makes you practice violin three hours a day even though you’re tone deaf, or your athletic dad makes you stay on the high school diving team even though your best dive is a bellyflop, then listen up.

Here’s what it’s like to live with a witch.

Every morning at 4:55 AM I drag my weary butt out of bed and head straight for the choreboard. The choreboard is a shiny list of magical tasks the witch wants me to do to “understand true witchery” or something, and if I haven’t done every one by the time I leave for school, it magically slices my thumbs with papercuts.

Note: Not really better. Going backwards, I think. Ever heard the advice not to start with your character waking up? Okay then.

#

Draft 233 (approximately). Book title: SERIOUSLY WICKED

Chapter One: Girl on Fire

4:55 in the horrible, horrible A.M., and once again I was staring at a whiteboard framed in gilded wood carved with toothy serpents. A peeling office label on the bottom proclaimed: Chores by Which One Must Understand True Witchery.

The toothbrush dangled from my mouth while I pressed the label back down, picked up the dry-erase marker, and marked off, “Werewolf pup—feed and take outside” with a big red X.

Then yelped as the choreboard gave me a papercut on my thumb.

Note: I rather like this setting, but it brings up weird questions (how does a choreboard give you a papercut? It’s magical, okay? GO WITH IT) and you don’t want the reader having weird papercut-related questions on the first page. Also, she’s still basically just waking up and going through her chores. I do like the juxtaposition between the whiteboard/office labels and witchy things.

#

And then finally (FINALLY!) we get to the real one. The final one.

SERIOUSLY WICKED

Chapter One: TRUE WITCHERY

I was mucking out the dragon’s garage when the witch’s text popped up on my phone.

BRING ME A BIRD

“Ugh,” I said to Moonfire. “Here we go again.”

Note: I kept the most important chore (mucking out the dragon’s RV garage) and then we jump RIGHT TO THE CONFLICT WITH THE WITCH. No detailed explanation of every single one of Cam’s magical chores. No weird musings about papercuts or pickles. It still establishes the humor in the story, which partly comes from the juxtaposition of magic and mundanity: dragons living in garages, a wicked witch who sends her demands by text (the witch is a big texter.) It still establishes that Cam has to work. A lot. And then: Cam brings the witch a bird and the witch tells her she’s planning to take over the world. Just a normal Tuesday.

Buy Seriously Wicked on Amazon

About the author:

Tina Connolly is the Nebula-nominated author of the Ironskin trilogy from Tor Books. Her next book, Seriously Wicked, comes out May 5th from Tor Teen. Her stories have appeared in Women Destroy SF, Lightspeed, Tor.com, Strange Horizons, UFO 3, and many more. Her narrations have appeared in podcasts including Podcastle, Pseudopod, and Beneath Ceaseless Skies, and she recently recorded the audiobook for Alex Shvartsman’s Explaining Cthulhu to Grandma, which is available on Amazon. She runs the Parsec-winning flash fiction podcast Toasted Cake.

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The Hook: Children of Arkadia by Darusha Wehm

April 28, 2015
Children-of-Arkadia-cover-1000

The Hook

Raj Patel pressed his face against the porthole, his fingers locked tight around the nearby handhold. His stomach lurched and rolled, only partly because he was still unused to weightlessness. Mostly it was the emotional stew created by the sight of the massive planet appearing before him, its almost inconceivable bulk entirely obscuring the four wheel-shaped habitats he knew were there, orbiting Jupiter. Sat Yuga, Fiddler’s Green, Eden and Arkadia.

He rolled the word around in his mind. Arkadia. His new home.

Darusha Wehm writes:

Children of Arkadia is high-tech science fiction (space stations! artificial general intelligences! smart drugs!) with a pastoral, agrarian sensibility (farming! water wheels! goats!). Arkadia is built by a group of political dissidents, economic refugees and disgruntled AIs fleeing a war-torn Earth to create a new society in space. But creating a new world, with new systems — both political and technological — is challenging, even when everyone is working toward a common goal. After all, just because I treat you the way I want to be treated, there’s no reason to believe that you’re being treated the way you want.

Originally the story opened on Earth, setting the scene for why the characters leave in the first place. But this isn’t a story about Earth and what happens there. It’s a story about making something new, about leaving behind preconceptions and prejudices (or not), and how to build something better.

I realized that I wanted the reader to have that same sense of excitement and trepidation the characters had when the full understanding of what a one way trip to space entails came to them. I wanted to capture that sense of wonder I feel every time I see visions of the cosmos, the desperate desire to be out there and see it for myself, right along with the terror of making an irreversible decision.

Raj is uncomfortable, physically but also emotionally. He’s leaving behind everything he knows to do something that, on the face of it, is absolutely crazy. There’s no going back and that’s terrifying, even if the place he’s going to is meant to become a paradise. The story is all about transition from one kind of society to another, a home of birth to a home of intention. Change is frightening, even when it’s a change for the better. Opening with a visual marker of change not only sets the tone for the whole novel, but also clues the readers to some of the upcoming struggles the characters will face.

Besides, if you have the opportunity to open with the image of Jupiter heaving into view from the port of a spaceship, why would you not do that?

Buy Children of Arkadia on Amazon

About the author:

Darusha Wehm is the three-time Parsec Award shortlisted author of the novels Beautiful Red, Self Made, Act of Will and The Beauty of Our Weapons. Her next novel, Children of Arkadia (Bundoran Press), will be released on April 28, 2015. Her short fiction has appeared in many venues, including Andromeda Spaceways Inflight Magazine, Toasted Cake and Escape Pod. She is the editor of the crime and mystery magazine Plan B.

She is from Canada, but currently lives in Wellington, New Zealand after spending the past several years traveling at sea on her sailboat. For more information, visit http://darusha.ca.

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Edmund Schubert Withdraws From the Hugo Award Consideration

April 27, 2015

the-golem-of-deneb-seven

Edmund Schubert, a long-time editor-in-chief of InterGalactic Medicine Show announced today that he is withdrawing from consideration for the Best Editor – Short Form Hugo Award. In addition, he has created a sampler of stories which he would have used as his Hugo sampler and (with authors’ permission) made them available for everyone to read free of charge.

You can read the sampler (including my story, “The Golem of Deneb Seven” here.

With his kind permission, I’m re-posting his withdrawal letter.

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My name is Edmund R. Schubert, and I am announcing my withdrawal from the Hugo category of Best Editor (Short Form). My withdrawal comes with complications, but if you’ll bear with me, I’ll do my best to explain.

I am withdrawing because:

  1. I believe that while the Sad Puppies’ stated goal of bringing attention to under-recognized work may have been well-intentioned, their tactics were seriously flawed. While I find it challenging that some people won’t read IGMS because they disagree with the publisher’s perceived politics (which have nothing whatsoever to do with what goes into the magazine), I can’t in good conscience complain about the deck being stacked against me, and then feel good about being nominated for an award when the deck gets stacked in my favor. That would make me a hypocrite. The Sad Puppies slate looks too much to me like a stacked deck, and I can’t be part of that and still maintain my integrity.
  2. Vox Day/Theodore Beale/Rabid Puppies. Good grief. While I firmly believe that free speech is only truly free if everyone is allowed to speak their mind, I believe equally strongly that defending people’s right to free speech comes with responsibilities: in this case, the responsibility to call out unproductive, mean-spirited, inflammatory, and downright hateful speech. I believe that far too many of Vox’s words fall into those categories—and a stand has to be made against it.
  3. Ping pong. (Yes, really.) A ping pong ball only ever gets used by people who need something to hit as a way to score points, and I am through being treated like a political ping pong ball—by all sorts of people across the entire spectrum. Done.

Regrettably this situation is complicated by the fact that when I came to this decision, the WorldCon organizers told me the ballot was ‘frozen.’ This is a pity, because in addition to wanting ‘out’ of the ping pong match, I would very much have liked to see someone else who had earned it on their own (without the benefit of a slate) get on the ballot in my place. But the ballots had already been sent off to the printers. Unfortunately this may reduce my actions to a symbolic gesture, but I can’t let that prevent me from following my conscience.

So it seems that the best I can do at this stage is ask everyone with a Hugo ballot to pretend I’m not there. Ignore my name, because if they call my name at the award ceremony, I won’t accept the chrome rocketship. My name may be on that ballot, but it’s not there the way I’d have preferred.

I will not, however, advocate for an across-the-board No Award vote. That penalizes people who are innocent, for the sake of making a political point. Vox Day chose to put himself and his publishing company, Castalia House, in the crosshairs, which makes him fair game—but not everybody, not unilaterally. I can’t support that.

Here’s what I do want to do, though, to address where I think the Sad Puppies were off-target: I don’t think storming the gates of WorldCon was the right way to bring attention to worthy stories. Whether or not you take the Puppies at their word is beside the matter; it’s what they said they wanted, and I think bringing attention to under-represented work is an excellent idea.

So I want to expand the reading pool.

Of course, I always think more reading is a good thing. Reading is awesome. Reading—fiction, specifically—has been proven to make people more empathetic, and God knows we need as much empathy as we can possibly get these days. I also believe that when readers give new works by new authors an honest chance, they’ll find things they appreciate and enjoy.

In that spirit, I am taking the material that would have comprised my part of the Hugo Voters Packet and making it available to everyone, everywhere, for free, whether they have a WorldCon membership or not. Take it. Read it. Share it. It’s yours to do with as you will.

The only thing I ask is that whatever you do, do it honestly.

Don’t like some of these stories? That’s cool; at least I’ll know you don’t like them because you read them, not because you disagree with political ideologies that have nothing to do with the stories.

You do like them? Great; share them with a friend. Come and get some more.

But whatever you decide, decide it honestly, not to score a point.

And let me be clear about this: While I strongly disagree with the way Sad Puppies went about it… when the Puppies say they feel shut out because of their politics, it’s hard for me to not empathize because I’ve seen IGMS’s authors chastised for selling their story to us, simply because of people’s perceptions about the publisher’s personal views. I’ve also seen people refuse to read any of the stories published in IGMS for the same reason.

With regard to that, I want to repeat something I’ve said previously: while Orson Scott Card and I disagree on several social and political subjects, we respect each other and don’t let it get in the way of IGMS’s true goal: supporting writers and artists of all backgrounds and preferences. The truth is that Card is neither devil nor saint; he’s just a man who wants to support writers and artists—and he doesn’t let anything stand in the way of that.

As editor of IGMS, I can, and have, and will continue to be—with the full support of publisher Orson Scott Card—open to publishing stories by and about gay authors and gay characters, stories by and about female authors and female characters, stories by authors and about characters of any and every racial, political, or religious affiliation—as long as I feel like those authors 1) have a story to tell, not a point to score, and 2) tell that story well. And you know what? Orson is happy to have me do so. Because the raison d’etre of IGMS is to support writers and artists. Period.

IGMS—Orson Scott Card’s InterGalactic Medicine Show—is open to everyone. All the way. Always has been, always will be. All I ask, all I have ever asked, is that people’s minds operate in the same fashion.

Consider this the beginning then of the larger reading campaign that should have been. To kick it off, I offer you this sampling from IGMS, which represents the essence of how I see the magazine—a reflection of the kind of stories I want to fill IGMS with, that will help make it the kind of magazine I want IGMS to be—and that I believe it can be if readers and writers alike will give it a fair chance.

If you have reading suggestions of your own, I heartily encourage you help me build and distribute a list.

(Yes, I know, there are already plenty of reading lists out there. But you will never convince me that there is such a thing as too much reading. Never.)

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I, for one, am sad about Edmund’s decision. He was on my nominating ballot (and I had no association nor even knowledge of what was on the Puppy slates). I know of at least several other fans who nominated him as well. I hope to see him back on a future ballot sooner, rather than later.

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The Hook: Disciple of the Wind by Steve Bein

April 17, 2015

disciple

The Hook:

Mariko would never forget where she was when she heard the news.

Steve Bein writes:

There are those events in life that make such a deep impression that you’ll never forget where you were when they happened. Some are personal (my memory of the moment I learned about my first published story is nearly perfect, all the way down to how cloudy it was and how much sunlight was in the room), while some are so large that they define the experience of a generation.

It’s too bad that those generation-shaping moments are often tragic. Everyone of my parents’ generation can tell you exactly where they were when they heard about the assassination of JFK. Everyone of my generation can tell you where they were when the Challenger exploded. Everyone older than ten can tell you where they were on 9/11.

The first sentence of Disciple of the Wind was born out of a conversation I had with my brother the day after 9/11. I was living in Honolulu at the time, so because of the time difference, by the time I got out of bed all four planes had crashed. I’d gone to sleep in a nation at peace and I woke up in a nation under attack. My brother was living in Chicago, and heard all the events unfold one by one. There was a terrible aviation accident in Manhattan. No, not an accident; another plane went down. Then a third. Then a fourth. No one knew how many more there would be.

What my brother and I talked about was whose experience was worse? I don’t know that we ever came to an answer; the two experiences were so different. Reflecting on it now, I find it strange that I can remember the conversation so clearly, yet I can’t remember what conclusion we came to. But the fact that it stuck with me all these years is what inspired the opening pages of Disciple of the Wind.

No spoiler here: right from the first chapter, Tokyo is under assault. One explosion could have been an accident; the second one makes it a pattern. Mariko Oshiro, the only female detective in Tokyo’s top police unit, knows exactly who carried out the attack. She’s arrested him before: Jōko Daishi, leader of the Divine Wind. His cult has attempted terrorist attacks before; this time, Mariko failed to stop them.

She knows more about Jōko Daishi than any other cop in the city, but she’s never been able to watch her tongue. When she pisses off her commanding officer, she loses her badge. Now she faces an awful choice: her surest bet for stopping the Divine Wind is to abandon all the values she holds dear, join forces with a criminal syndicate, and become a killer herself.

From there I’ll just say things get a lot worse for her—and for Tokyo—before they get better. If you like police thrillers, I think this book is for you. If you like to see characters push the boundaries of their own morality, and venture into gray areas where you might be able to keep track of right and wrong, then this book is definitely for you.

Buy Disciple of the Wind on Amazon

About the author:

Steve Bein (pronounced “Bine”) is a philosopher, photographer, traveler, translator, martial artist, and award-winning author of science fiction and fantasy. His short fiction has appeared in Asimov’sInterzoneWriters of the Future, and in international translation. His first novel, Daughter of the Sword, was met with critical acclaim, and his second novel, Year of the Demon, was named one of the top five fantasy novels of 2013 by Library Journal. Steve’s newest book, Disciple of the Wind is in stores now, and his new novella, Streaming Dawn, is available now for your e-reader. You can find his work at Powell’s, Barnes & Noble, Amazon, and Audible.

Steve lives in Austin, Texas. Please keep up with him on Facebook at facebook/philosofiction and on Twitter @AllBeinMyself. Appearances, publishing news, photos, links, and more can all be found at http://www.philosofiction.com.

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