2012 Year In Review

December 31, 2012

w1s1-2013

In 2010 I began writing fiction and managed two token sales.

In 2011 I made my first professional sale and began building a bibliography.

And 2012 has been the best year yet.  Here are some of the highlights for me this year:

* Qualified for full SFWA membership.
* Was accepted to and attended the Viable Paradise workshop.
* Edited and published my first anthology project.
* Attended my first SF convention as a guest/panelist.

And although I’m proud of each and every one of those accomplishments, perhaps the most important achievement for me is this:

* I now believe that I can sell what I write.

This sounds less impressive than it actually is. But the truth is, confidence is hugely important. The ability to write fiction without second-guessing myself, without wondering if the latest story I’m working on is at all viable, is liberating and something I’m only recently able to do. The “pretender” syndrome of “I’m-n0t-a-real-writer-I’ve-just-been-lucky-with-a-few-short-stories” is more difficult to shake than you might expect. But statistics are on my side, showing that most of what I write consistently sells, at least at semipro level.

In 2012 I completed a total of 24 short stories, totaling almost exactly 50,000 words. Of those 24, I felt that 20 were good enough to submit (and may yet revisit the remaining four and fix them up).  I already sold ten of them (7 to pro-paying markets). I also sold almost every story I’ve been submitting since 2011.

Part of this success is due to submitting very aggressively. I spent time researching new markets, tried to make sure I never had too many stories hanging out on my hard drive without being out for consideration somewhere, and was perfectly willing to have the story debut in a smaller market rather than remain unpublished.

Write1Sub1 challenge (which I will continue in 2013) had helped. Also, my goal of hitting a total of 200 submissions kept me going as well. Sending out 200 submissions in a year is *hard*. I barely managed it, shipping off a few stories this past week just so I can reach that number. Here are my statistics for the year:

Submitted: 203

Currently out on submission: 13

Lost / never responded: 1

Rejected 159

Accepted: 30

There were also a number of stories accepted in 2012 which I submitted in 2011. A total of 35 stories (including reprints) were accepted in 2012. Of these 35 stories:

10 sold at pro pay (5c+ per word)

16 sold at semi-pro (1-4c)

3 sold to token markets (2 to Every Day Fiction and 1 to Toasted Cake. I donated the payment back to those markets)

6 reprints were donated without pay (5 to podcasts, one to a charity anthology).

And the stories that are still circulating? Although there are a few oldies I really like and can’t quite let go off, most are recent work, from late 2012, and I have every confidence that they will find quality homes soon!

So what’s the plan for 2013?

I actually expect LESS sales next year. Because I want to spend more of my time on writing novel(s), editing, and translating. So with that in mind, my 2013 goals are:

* Complete at least one novel and begin shopping it around to agents/publishers

* Continue to participate in the Write1Sub1 initiative and write at least one new short story per month.

* Translate into English at least two SF/F short stories by Russian authors

* Attend at least one major SF con (something like WorldCon or World Fantasy) and a few smaller ones

I wish everyone the best of luck with setting and accomplishing their own 2013 goals. Happy New Year!

 

 


Submitomancy Launches a Crowdfunding Campaign

December 30, 2012

submitomancy

Almost exactly a month ago, Duotrope announced that they were becoming a pay site, asking writers to fork over $50 a year or $5 a month to take advantage of their robust web site and an extensive database. Many writers (myself included) felt that it’s perfectly reasonable for a site to charge a fee, but that $50 was way too much money to pay for the privilege of feeding your own data into a Wiki-style service.

Most of the writers I know agreed that $20 was the sweet spot of what such a service would be worth to them, and many posited that someone will come along and launch an alternative to Duotrope very soon. That someone turned out to be Syliva Spruck Wrigley, a speculative writer and an online marketing professional.

I expected some webhead to cobble together a very basic online database, capable of tracking subs and performing basic analysis. Sylvia’s vision is far grander. She wants to create a sophisticated, slick site with lots of social media features, a detailed market database, and varying levels of membership. In short, it would be Duotrope 2.0. Advance feature membership would cost about $20 per year but, best of all, basic features would be free.

The project, titled Submitomancy, is currently seeking 5,500 British Pounds (or around $8800) in funding.  The money will be used to pay programmers and developers, and cool additional features can be unlocked via stretch goals.

So yeah, that $20 I was going to donate to Duotrope this year? Sumbitomancy can have it instead. Please consider buying your annual membership in advance in order to help them get off the ground sooner!

http://www.indiegogo.com/submitomancy


“Requiem for a Druid” accepted at Galaxy’s Edge

December 24, 2012

Arc Manor is launching a new pro zine called “Galaxy’s Edge” in March of 2013, edited by Mike Resnick. I’m thrilled to announce that the premier issue will include “Requiem for a Druid.” My story will get to rub shoulders with works from Lou Berger, Robert J. Sawyer, Jack McDevitt, Kij Johnson, James Patrick Kelly, and Barry Malzberg!

“Requiem for a Druid” has quite a history. This is a second story in the urban fantasy series about Conrad Brent. I love writing Brent stories, which combine urban fantasy, noir, and humor with the Brooklyn setting which is so familiar to me.  And I title them with horrible puns of iconic books and movies set in Brooklyn, too. The first story in the series, A Shard Glows in Brooklyn, was published by Buzzy Magazine earlier this year.

“Requiem” was a story that got me into the Viable Paradise workshop. It was read and critiqued by brilliant writers and editors such as Patric Nielsen-Hayden, Sherwood Smith, Elizabeth Bear, Steven Brust, and Jim McDonald. Also, many of the students at the workshop.  I sent it there because it was my favorite story, and one of my strongest.

And now it’s been accepted by Mike Resnick, a writer and editor whom I admire greatly and have been a fan of for many years.

I plan to write one or two more Brent stories next year. I also hope to complete the first draft of a Brent novel in 2013. But for now, I leave you with the opening line of “Requiem”:

My job that morning was to banish a demon, but I was determined to finish my cup of coffee first.

Be sure to check out Galaxy’s Edge and read the rest of it in a few months!


Paying Back, 2012 Edition

December 21, 2012

A year ago I wrote a post about paying back by supporting some of the great free writer resources available on the Internet.

As I continue to earn a modest income from my writing, I hope to make this an annual tradition. Today I donated again to Absolute Write and Critters (for the same reasons described in last year’s post.)  Unfortunately, Duotrope will no longer be a free resource as of January 1st and I have no inclination to donate to a business. Instead, I chose to support my writing group, Codex Writers, to help pay server costs and whatever other expenses are associated with operating the site. Although Codex isn’t a resource open to the public (there’s membership criteria to join) it provides an invaluable and free service to neo-pros like myself. Codex has been the most useful and important writing resource for me in 2012.

Although the amounts I donated to each site are fairly small, I have also supported various writing endeavors throughout the year by backing Kickstarter projects, donating to causes, subscribing to magazines, and, of course, buying lots of books.

Season’s greetings to everyone, and if you had a successful 2012, please consider supporting your favorite online resources.

 


Shameless Self-Promotion Post – Amazon Edition

December 17, 2012

This week I’ve been tinkering with Amazon (and other sites) in order to make the UFO ebooks available for purchase. And as of this afternoon, we have liftoff:

UFO ebook on Amazon

UFO paperback on Amazon

And while I was learning how to make books available via Amazon, I also finally took a few minutes to set up my author profile:

http://www.amazon.com/Alex-Shvartsman/e/B00APRCWU4/ref=ntt_dp_epwbk_1

Want to get your hands on a FREE paperback copy of UFO? Visit Deborah Walker’s blog and tell her a joke in the comments thread. One lucky reader will receive their own copy of the book!

And finally, Kazka Press just released At Year’s End — an anthology of holday-themed flash fiction edited by L. Lambert Lawson. It includes a reprint of my story “Nuclear Family” which originally appeared in Kasma SF (not to be confused with Kazka. Both are fine semi-pro publications and I’m honored to be published by them).

yearsend

Having recently learned how important reviews are to selling books on Amazon, I took a few minutes to review “At Year’s End.”  You can read my review on the anthology’s Amazon page.  This is also sort of a roundabout way of mentioning how important reviews are to selling books on Amazon. So, if you read and enjoyed Unidentified Funny Objects, would you please take a moment to rate it and write a sentence or two?

 

 

 

 

But it also prompted me to


UFO Launch Party

December 12, 2012

ufocover

 

I’m hosting a launch party for Unidentified Funny Objects this weekend. It will take place at Kings Games in Brooklyn NY. It is scheduled for Sunday, December 16 at 5pm. Several of the authors will be in attendance to read from their stories and to sign the books.

I’m expecting to receive the shipment of trade paperbacks from the printer on Friday.  Hardcovers may take a few extra days, but should arrive early next week. I will then ship out all Kickstarter orders and direct web site pre-orders, as well as all contributor copies.

E-books are being worked on as we speak and should be ready in the next few days. I’ll begin e-mailing them out as soon as they’re finished. PDF is ready, we just need a little more time to format .EPUB and .MOBI files.

Please come by and celebrate the release of UFO with me!

 


Submissions Open for a One Sentence Story Mini Anthology

December 9, 2012

oss

Back in the spring, a bunch of writers on Twitter challenged each other to write the longest (and, of course, most interesting) flash stories consisting of only one sentence. This blog post explains the back story, features my own entry, and links to the stories posted by all of the other participants who chose to post their stories publicly.

Matthew Bennardo liked the idea so much, he decided to produce and publish an anthology of one sentence stories. For the next two weeks Matthew is accepting submissions, with guidelines outlined on his blog. Check it out!

 


Triumph Over Tragedy

December 8, 2012

I rarely talk about my personal life or things not directly related to writing fiction on this blog, but this is a special case. Like so many others in New York/New Jersey area, my family and I were affected by Hurricane Sandy.

Our house is roughly fifteen minutes away (by foot) from the water (Sheepshead Bay) and twenty minutes away from the Atlantic Ocean. We are in “Zone B” (which means just far enough away where we didn’t have to evacuate). Compared to many of our friends we were very fortunate. Our car did not flood and a huge tree branch which came down within inches of my father-in-law’s car didn’t damage our property. We didn’t even lose power or Internet service. However, sometime after nine o’clock at night, water began to pump upward from the shower drain in the basement. It was coming up fast until the entire basement was flooded with nearly a foot of water. This was sea water which overwhelmed the city’s sewer system and was finding its way into many of the homes in our area.

A beach block in Rockaway. Sandy dragged so much mud and sand onto the street that it had to be cleared by plows.

A beach block in Rockaway. Sandy dragged so much mud and sand onto the street that it had to be cleared by plows.

I remember chatting with friends online about what was happening, helpless to do much of anything to prevent it. Water ceased rising around eleven and we went to sleep expecting to deal with a lot of misery in the morning. Fortunately, we woke up to find that the water receded almost completely on its own, leaving behind wet floors and destroying a refrigerator.  We had to do some minor cleanup, but all in all we got off easy.

My stepfather was no so fortunate. His house is in Rockaway, Queens, half a block away from the beach. Water devastated his entire block, devastating the lower level of his home and destroying all the possessions there. He later found out that, although he was one of very few New Yorkers with flood insurance, that covers only the structural damage and the boiler, not any of the possessions. Everything he had in the basement had to be thrown out, carpets stripped, and Sheetrock walls demolished, then treated for mold. The entire area had no power for weeks. My mother-in-laws house was also damaged, forcing her to spend a lot of time and money renovating its first floor.

Water surge flooded most basements or even ground floors in Rockaway. The high-water line in this photo is at nearly six feet.

Water surge flooded most basements or even ground floors in Rockaway. The high-water line in this photo is at nearly six feet.

And despite all that, my family is still among the fortunate ones. We had the support structure, the money, and other resources to overcome this calamity. We did not go hungry or cold. Our own businesses and companies that employ us weren’t forced to close down permanently because of storm damage. But there are tens of thousands of people in New York and New Jersey who weren’t so fortunate. They need all the help they can get. And if you think that the devastation of Sandy is well behind us at this point, you’re wrong.

Chase Bank branch in Sheepshead Bay, still closed six weeks after Sandy.

Chase Bank branch in Sheepshead Bay, still closed six weeks after Sandy.

I was in the area of the Sheepshead Bay train station earlier today. Many of the businesses (both small local ones and chain outlets like 7/11, Chase and Citibank) are still closed. There are traffic lights in my area that are still down — and we aren’t even in one of the neighborhoods worst-affected by this storm.

There are lots of worthy charities and ways to help. I recently discovered a charity anthology that is raising funds via IndieGoGo, with 100% of the proceeds going to the American Red Cross. For only $7, you can help the victims of Hurricane Sandy and receive a short story collection with works by such notables as Robert Silverberg, Marion Zimmer Bradley, Timothy Zahn, Elizabeth Bear, and many others.

I donated to the cause as well as contributed a reprint short story, “The Last Incantation,” which can be currently read at Kazka Press web site. Although Kazka’s period of exclusivity on this story hasn’t expired yet, they generously allowed me to submit the story to the anthology once they learned about the cause.

“Triumph Over Tragedy” is a brainchild of speculative writer R.T. Kaelin who is investing a ton of his own time in order to put together, edit, and promote this project.  You could thank him by heading over to his web site and ordering one or more of his books.

If you can spare $7 (or more) this holiday season, please order a copy of “Triumph Over Tragedy” here, and be sure to spread the word about this project.

TriumphOverTragedy


The Duotrope Conundrum

December 1, 2012

If you’re a working writer who actively submits short stories to markets for publication, one of the most useful sites on the Internet for you is Duotrope.com

Duotrope collects and displays information about markets. Let’s say you wrote a 5000 word epic fantasy story and want to sell it for at least 5c a word. Using their search function you can quickly generate a list of markets that accept stories at that length and pay pro rates, and are open to submissions. You can then sort them by average response time, or even by perceived difficulty of the market (i.e. what % of reported submissions has been accepted).

Anyone who follows this blog knows how much I love stats. As such, it’s no surprise that I really enjoy DT. So much so that I have donated money to help defray their costs last year, and was going to donate again in December (when I will be supporting several worthy writing-related sites with my dough).

But this morning I woke up to learn that Duotrope will no longer be a free site. Furthermore, they’re asking for a whopping $50 a year (or $5 a month) for their services. And while I was happy to give them $20 a year when I didn’t have to, I won’t pay $50. Here’s why:

Duotrope does three things that are relevant to me:

1) Track submissions.

I’m able to see all my active submissions at a glance and quickly pull up my submission history for that particular market.

Pro: Ease of use
Con: Only marginally better than an Excel spreadsheet. In fact, I use both. Partly because I want access to my data on my local hard drive and partly because while DT lists MOST markets, it doesn’t list ALL markets I submit to, such as private anthologies, invitation-only projects, etc. There are also other programs and web sites I can use if I ever felt that Excel was’t sufficient.

2) Track new markets.

DT lists dozens of new markets every week. Many of them are useless (to me) no-pay sites read by the editor, his mom, and maybe 15 other people per month. However, it does list all the pro and semi-pro start-ups as well, and makes it easy to find them.

Pro: Ease of use, very thorough.
Con: There are other sites out there that track new markets. Most notably, Ralan.com which has been around longer than Duotrope, specializes in speculative markets, and often posts new market info before DT has it. Their site isn’t pretty to look at, but it gets the job done.

3) Wiki-fy the submission process.

What makes DT really, really good is its volume of users who are willing to report their rejections and acceptances. Say I have a story on submission at Daily Science Fiction. A quick look at DT’s recent reports lets me know where the editors are in their slushing process. Are they responding to submissions in about 2 weeks, or should I expect to wait 3? Hundreds of DT users reporting their subs provides a very useful and relatively accurate snapshot of the slush status at various markets.

Pro: Amazing at helping users track the slush habits of various markets/editors.
Con: Only works if enough users are reporting their data.

And therein lies a problem. With Duotrope being a free service, about 10-20% of all submissions are reported there (as per my experience comparing actual slush numbers at UFO with what’s been reported there, as well as talking to other editors.)

Once DT becomes a paid service, a vast majority of their users will leave. They will no longer report  their submissions, which will make the DT system far less accurate. A critical mass of users is needed in order to maintain the usefulness of a Wiki-style site, and I don’t feel that DT will be capable of holding on to nearly enough people at their proposed rates.

I am not mad at the DT folks. It’s their web site and they can do whatever they want. We writers certainly shouldn’t expect them to operate at a loss for our benefit.

However, I feel that they’re making a very poor decision from a business standpoint. $50 is a lot to pay for a web site subscription. And anyway, can you think of many *successful* Wiki-style sites that charge for membership? the only one I can think of that remotely qualifies is Angie’s list.

By charging these rates, DT is likely to cause a downward spiral whereas even those users who’re willing to fork over $50 won’t be happy, because DT will no longer have the critical mass necessary to provide those paid users with a meaningful service.

So what could Duotrope do to raise funds? There’s no silver bullet, but there are a number of options to pursue:

* Lower rates. Personally I’d pay $20/year. Even at the risk of much worse results, I would fork over a $20 bill just to help them with the experiment and see if DT could sustain itself as a useful service. $2 a month or so is an amount a lot of users might actually pay.

* Charge markets a small annual fee to list them. Once again, I wouldn’t fork over $50 as a publisher, but I’d pay $10 a year or something to that tune in order to have UFO Publishing listed on Duotrope. Obviously having too many markets unwilling to pay would ruin the service, but DT could still offer some data about the other listings with “premium” markets offering a greater level of detail.

* Sell advertising. I’m guessing that plenty of fledgling markets would fork over some money in order to have their banner ad appear at the top of the DT listing.

There’s no perfect solution and someone will be unhappy regardless. But I mourn the end of the Duotrope era as we know it and hope that they will either reevaluate their 2013 strategy or someone else will step up and design a free-to-use bare-bone Wiki site to help accurately track response times.

 


Great Press for In Situ

November 20, 2012

 

I woke up this morning to find people on Twitter talking about not one, but two reviews for In Situ — an anthology of alien archaeology from Dagan Books edited by Carrie Cuinn. Both reviews were favorable, and both had some very nice things to say about my SF/humor story “The Field Trip” which closes out the book.

A Fantastical Librarian calls In Situ an interesting and thought-provoking anthology.”  The SF Signal review compliments In Situ on its “well-written, quick-paced stories.”  Both reviews are incredibly kind to “The Field Trip,” which made my morning.

In Situ eBook is only $3.99 on Amazon and the trade paperback is $9.99.