UFO2 Submissions Update – May 17

May 17, 2013

ufo1

We read just over 350 submissions to date.  Everyone who submitted prior to 5/12 should have heard from us by now. If you haven’t, please query ASAP.

I accepted seven stories so far, totaling 35,000 words. There are three more invited headliners who haven’t turned in their stories yet (they aren’t late; they have two more weeks) so that’s up to 18,000 more words. That means the competition for the remaining space in the book is going to be very, very tough. We are holding on to nine more stories in the final round of consideration so far, and more are sure to be added to that list. Already had to turn down some truly excellent stories and there’s a long road to travel yet.

Any reasonably good anthology, magazine issue, or contest gets far more quality submissions than they can use. It’s the nature of our field — supply always greatly outpaces demand. So if you got a rejection from us, or from anyplace else, please don’t take it personally. The editors aren’t merely looking for a good story — they’re looking for stories they can fall in love with. And that’s a very tough act to pull off, especially since tastes are highly subjective. Just keep sending it out there, until the story finds the editor who will think it’s perfect.

 

 


UFO2 Submissions Update

May 5, 2013

ufo1

First of all, thanks again to everyone who pledged and promoted our Kickstarter campaign. We are fully funded and are able to produce the book in the fashion we wanted to, without cutting corners!

We received around 150 submissions in the first four days of May. The associate editors and I have been reading furiously to try and make sure that we respond very quickly and don’t hold anyone’s story hostage unless we’re seriously considering it for inclusion. As of right now, everyone who submitted on or before May 2 should have heard from us, either with a rejection or a round 2 bump. If you did not receive a response to your story submitted prior to May 3, please query us.

Here is a brief list of things we’re seeing too much  of among the submissions:

– Stories with contact info and byline still intact. I have to manually remove them before sending them over to the readers for anonymous consideration. This makes me sad.

– Zombies

– Stories that aren’t funny in any way, shape or form. We’re not sure why they were sent to us instead of a venue that isn’t seeking humor.

– Zombies

– Cliche aliens, usually with some sort of probing thrown in

– Reality TV stories

– Zombies

– Vampires

– Road trips complete with every road trip cliche, except they’re space road trips in space. Usually with a pit stop on Earth.

– Zombies

This doesn’t mean that you can’t sell us a zombie reality TV story about a road trip in space. But it won’t be easy.  When I see the word ‘zombie’ in a submission my eye begins to twitch, I extend my arms and walk around the office for a while moaning “rejeeeeect” — so you have to overcome that. Good luck.

Things that I would like to see more of:

– Unusual settings and scenarios. There are only so many times I can read a story about mythological gods in modern setting or aliens landing in rural America. Surprise me!

– Stories from international authors. We are actually doing quite good with that, so far. We have received stories from all over the world, and want more! Keep in mind that, while we are not considering reprints, we’ll make an exception for stories that were published in another language, as long as they have not been previously published in English.

– Art. We still need a cover artist/designer and possibly interior artists. While I am talking to a couple of people, we haven’t settled on anyone yet — send me a link to your portfolio soon if you wish to be considered!

 

 


UFO2 Submissions Open Tonight

April 30, 2013

ufo2

The submissions are opening tonight for the UFO2 anthology and will remain open throughout the month of May. Please read the guidelines here and feel free to submit when ready (yes, a few hours early is OK.)

I would also like to remind everyone that the UFO2 Kickstarter campaign has entered its final 48-hour stretch. At this point we still need to raise nearly $3,000 in order to be funded. The anthology will be published regardless, but our level of success on Kickstarter will determine the overall volume of fiction I can buy for this book, whether I can afford to buy additional content for the web site, whether I can afford to pay for the highest-quality copy-editing and book design services…  In short, I need the extra funds to make UFO the best possible book I can produce.

Please consider pre-ordering your copy via Kickstarter as well as spreading the word about it to anyone who might possibly be interested in the next two days. Thank you!

Click here to view the UFO2 Kickstarter page.

 

 


Two Funny Stories Published in April

April 26, 2013
Artwork by Andres Mossa

Artwork by Andres Mossa

 

I’ve been so busy with UFO2 Kickstarter and submissions that I’ve neglected to announce several of my recent publications (which I will gleefully catch up on in this post!)

Explaining Cthulhu to Grandma at Orson Scott Card’s Intergalactic Medicine Show

This is easily the funniest story I’ve had published to date. One day I was loitering on Twitter and saw friend and fellow writer Sylvia Spruck Wrigley complain about the difficulty she was having explaining Cthulhu to grandma.

“That would make a great story title,” I told her. She agreed, and said that she would try to come up with something that fit.

A few weeks passed and the title stuck with me, so I followed up with Sylvia to see if she had made any progress. She said that she hadn’t and I asked if I could use the title myself. She said yes, and I wrote the story within a couple of days — which is super fast, for me. I named the protagonist Sylvia and named her character’s grandmother and gran-grandmother after Sylvia’s own mom and grandma.

This story is about a magic pawn shop. Somebody trades in Cthulhu on pawn (it’s stored in a handy pocket dimension which looks like a snow globe) and all sorts of wackiness ensues. I have since written a sequel where a Pandora’s box finds its way into the magic pawn shop, and plan on writing more stories in this setting.

IGMS is a great home for this story. They published it today in issue #33, and while you have to subscribe to read the entire story, you can read an excerpt and see the awesome original artwork by Andres Mossa in full size by clicking this link.

The Epistolary History at The Journal of Nature

theepistolaryhistory

This is a flash fiction story about a hapless time traveler I wrote in February. In honor of the letter-writing month it’s told entirely through letters. Since this one is available online for free, I will direct you to read it rather than telling you too much more about it.

Amusingly I received e-mail acceptances for these two stories within a *minute* of each other, making that pretty much the best minute of my writing career, ever. It’s fitting that they were published within 24 hours of each other, too.

The Field Trip at Cast of Wonders

The Field Trip is now my most cosmopolitan story yet. It was originally printed in the In Situ anthology from Dagan Books. It has been translated into Polish and was accepted to be translated and published in Romanian. And now it’s been podcast by a UK audio magazine. You can listen to it here. This is the first time this story is available online for free.

Putting it All Together at Toasted Cake

This story is the only one of the four that isn’t humorous. Instead, it’s very lyrical — which is well outside of my normal writing comfort zone. And Tina Connolly was the perfect performer to read it! The story was originally published at Nine Magazine, which is sadly defunct. It’s not currently available anywhere online in print form,  but you can listen and enjoy the podcast.

And that’s my recap for April. Next month I have stories coming out in Daily Science Fiction, One Sentence Stories anthology, and Buzzy Magazine. Stay tuned!

 

 


Market Report: Neverland’s Library

April 25, 2013

This is the first installment of a new irregular column on my blog where I will highlight promising new short fiction markets that are open or soon opening to submissions

Neverland’s Library – A Crowdfunded Fantasy Anthology

Click here for detailed Guidelines

Submission period: March 5 through June 30, 2013

Genres: Fantasy

Length: 2000-8000 words (somewhat flexible)

Pay rate: $0.03/word  + copy

Rights: First rights, 6 month exclusivity after release

Estimated response time: 2 weeks

Editors: Roger Bellini and Rebecca Lovatt

Rebecca and Roger are both fantasy book reviews who blog at the Arched Doorway and A Daily Dose of R&R respectively. Their goal in creating this anthology is twofold – to introduce new readers to the genre of fantasy, and to support a worthy cause. The theme for this book, as defined by the editors, is “the rediscovery of the fantastic.”

In addition to the open submission call, some of the authors invited to contribute to this book include Mark Lawrence, William Meikle, and Marie Brennan. The introduction will be written by Tad Williams.

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Why rediscovery of the fantastic? What made you select this theme to build the anthology around?

Originally we chose the theme of rediscovery because we wanted people who might have thought they were too old for fantasy. It’s a chance for them to rediscover that passion they once had for imaginative works. We then stuck with it because it worked perfectly with the non-profit organization we wanted to partner with for the project.


What sort of stories are you looking to collect for this project? Are there any genre restrictions? Would you consider urban fantasy, horror, or slipstream, if the story fits the theme of rediscovery?
We’re looking for stories in the fantasy genre, and sub-genres that fit within the perimeters of our theme, which we’ve left very open to individual interpretation. While we’ve opened this to all sub-genres, we’re both more of traditional fantasy fans and that can tend to show up sometimes in our selections. However, occasionally there’s a story that stretches the bounds of what we thought the anthology would entail and we’re compelled to accept it because it’s just “that good!” A great example of this is a Lovecraftian story we recently accepted from a name that you’ll soon be familiar with, Peter Rawlik.

That’s just one example. So in conclusion, we’ll consider horror, urban fantasy, steampunk. We’re very open. If your story is good enough to make us stop and take notice, then we’ll be glad to consider it for inclusion.

What are you seeing too much of in the slush? Have any trends surprised you (in a good way or bad)?

Stories regarding or containing dragons seem to be the most common. While there’s nothing wrong with that, it is nice to see a change every now and then. Many of these stories contain a lot of similar elements and can be repetitive at times.

As for things that have surprised us…  I’d have to say it’s the lack of stories submitted with female leads. I’m not an advocate for the necessity of the genders being balanced perfectly, but I would definitely love to read a few more well written stories featuring characters that female readers can relate with.
Will you be looking to include humorous stories into NL? What sort of humor works/doesn’t work for your editorial tastes?
In this particular anthology, we are not including humorous stories. However, we’ve not ruled out potentially doing a future volume featuring that type of story.

Roger: I personally enjoy a very dry sarcastic humor. I’d liken my tastes to that which you might see in Indie comedy films such as “Little Miss Sunshine” or “Silver Linings Playbook.”

Rebecca: Is this some kind of joke? I find nothing funny. Literally, ever. I am not amused.

What is the First Book charity and how are you hoping to support it via this project?
First Book is a non-profit organization that aims to reduce illiteracy by providing educational texts and books for children of low-income families who may not have access to them otherwise.

We’re hoping to support them through Neverland’s Library in a couple of ways. First, through raising awareness about who they are and what their organization’s goal is. Second, we’ll be splitting all profits from this anthology 50/50 between First Book and the funding of future installments. After having raised enough for the next installments, we’ll then begin donating the entirety of the profits to First Book.
Our goal in this project was never to make a personal profit. We’ll not be personally receiving a dime from this, and that’s the way we want it to be.  Our newest update goes into a bit more detail about First Book.

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Like so many quality projects this day, Neverland’s Library relies on the generosity of its readers to help get this project off the ground. They recently launched a crowdfunding campaign on IndieGoGo. Please back their project by following the link below. You’ll be supporting both a creative writing endeavor and a worthy charity.

http://www.indiegogo.com/projects/neverland-s-library-anthology

If you’re launching a new speculative fiction magazine or anthology that is open to submissions and is paying at least semi-pro rates, and wish to be interviewed on this blog, please feel free to contact me.


UFO2 Submission Guidelines Are Posted

April 5, 2013

We are going to have an open submission period in May.  SFWA and Codex members have an “early pass” and can submit now. The guidelines are posted here:

UFO Series

There are some changes from the last year’s guidelines, so please read carefully. So far, more than 50% of the handful of submissions we already received either failed to remove the identifying information from their document (annoying, since I have to then do it before forwarding the story to associate editors) or failed to include the info I asked for in the subject line (much less annoying, but still indicates inattention to guidelines), or both!

A minor guideline infraction like that won’t hurt anyone’s chances — after all, the editors who are reading the submission won’t even be aware of it — but it doesn’t mean I can’t complain about it here 🙂

Meanwhile, the Kickstarter campaign is in full swing. We raised $1500 in the first 48 hours and are up to 60 backers as of the writing of this post. Now that we got past the initial rush, the tough slog begins. We must raise an average of $250 per day in order to meet our funding goals. So please consider pre-ordering your copy of UFO2 via Kickstarter sooner, rather than later, and help us spread the word of this project to others:

 


Submitomancy Premium Features Explained – A Guest Post by Sylvia Spruck Wrigley

January 4, 2013

submitomancy

Ever since Sylvia Spruck Wrigley announced the project she’s spearheading to create an advanced submission tracking web site, the most common question I’ve seen was: “If I’m not willing to pay for Duotrope service, why should I give money to this?”

So I asked Sylvia to explain the premium Submitomancy features in some more detail. Also, it’s very important to note that all basic functions of the site will be available for everyone to use for free.

Sylvia’s post, below:

The core of the Submitomancy service will be free. This allows writers to record their manuscripts and track their submissions. But the really fun stuff, in my opinion, is in the pay-for service.

Here’s an example of the process that a subscriber to the pay-for service might follow. This is all optional, of course! Subscribers will obviously choose the options that they find most useful and although I am focused on short stories for this example, we’ll be supporting poetry as well. Here’s my own personal vision of what I would do having completed a new story.

First I enter my manuscript details. The manuscript database is part of the core service but as a subscriber, I’ll get a secondary page of data that I can track (I’ll be refining down the details of this with the early access users). I’ll also have the option to share the title of my latest masterpiece with my friends. In the future, I might be able to submit it directly to my personal critique partners (who are of course, also using the site and loving it) but for now, let’s assume my story is shiny and perfect.

For a free search, I would get a basic list of markets that I can then read through to make a decision.

But as a subscriber, I get power searches, which have a lot more granularity. My preferences are saved as a part of my profile. For example, a user might set his default to show pro- and semi-pro markets who have sent personal responses in the past, sorted by acceptance rates. My personal default might only show me SFWA qualifying markets, unless there are fewer than three matches, in which case I want to see all matching pro-markets. The point is that, once I’ve set this up, I’ll see the key markets for my manuscript with a single press, with the ability to expand the possibilities at search time. Markets that I have marked as favorites will be highlighted.

Once I have my list, I can re-sort on the fly and click through to look at a market profile.

Everyone can see general market information along with the average response time and average acceptance rate. As a subscriber, I’ll get extra information, including the recent responses and the average response rate for that market over the past 6 weeks. I’ll get a break-down of the acceptance rate with, if we can get the data, percentages by author gender and story word count. This personalised market listing will also show my history with that market: my submissions, response times and type of response. This means if I am an “outlier”, I have my past data on the page for reference. If the market has sent me personal comments in the past and I entered those comments into the system, they will show up for me here.

As a subscriber, I will also see a button on the market page to generate a cover letter. If I press this button, the system takes four pieces of information:

* My manuscript details,
* My most recent three sales (which I can override with my three favorite sales),
* The market details,
* The market guidelines (if cover letters are mentioned).

With this information, the system will create a cover letter for me to use. I can copy the text (and edit it if I like, for example if I am on a first-name basis with the editor) and then paste it into my submission, whether it’s postal, form-based or an email.

Once I’ve done the submission, I can send an update to my friends so that they can cheer me on. Now the waiting begins.

Quite honestly, I spend too much time watching market pages so an important aspect of the pay-for service for me is the notification service. This is a process which watches my submissions for me and maps them against the recent responses. When specific conditions are met, I’ll receive a private message which could also be sent to my email or Twitter account to alert me.

An obvious alert is when a market responds to a manuscript that has been out for the same number of days as my story has been with them. That function alone will seriously help my pointless refreshing problem. But there will be a number of options which I plan to refine with the early access users.

Some examples: I might notice a market has been silent for a month and ask for a notification to show me when a response has been reported. I can see Analog recent responses are a lot longer than they have been traditionally and sign up for an alert when their response rate drops below 60 days. And for every submission, I’d like to be notified if a response is past due so I can consider querying. That query letter can be generated with the manuscript title and date of submission, along with the correct procedure for querying at that market.

Once I get the acceptance (this is my fantasy system, so of course every response is an acceptance), I enter it into my personal database with the pay rate, the exclusivity period and any personal comments. I can update it when I receive the contract, when I receive payment and when the story has been published.

Now I can set up a new notification to alert me when the exclusivity period is finished. I will have a search available to show me reprint markets. This might get a bit complicated: there are so many different rights and contracts vary, so I suspect that for every story, the writer will have to go through the markets and see what works. Eventually, I’d like to be able to search for audio publications and foreign language markets, if I still have those rights available. Certainly, I’d love to be prompted to offer my story to a wider market.

That’s my dream. I can’t guarantee that every aspect of that process will be available at launch but I hope that most of it will be in place. Especially that 100% acceptance rate on my account.

When Submitomancy goes live, the premium service will cost $20 per year, not $50 Duotrope is now charging.
You can donate to the Submitomancy crowdfunding campaign on IndieGoGo.

2012 Year In Review

December 31, 2012

w1s1-2013

In 2010 I began writing fiction and managed two token sales.

In 2011 I made my first professional sale and began building a bibliography.

And 2012 has been the best year yet.  Here are some of the highlights for me this year:

* Qualified for full SFWA membership.
* Was accepted to and attended the Viable Paradise workshop.
* Edited and published my first anthology project.
* Attended my first SF convention as a guest/panelist.

And although I’m proud of each and every one of those accomplishments, perhaps the most important achievement for me is this:

* I now believe that I can sell what I write.

This sounds less impressive than it actually is. But the truth is, confidence is hugely important. The ability to write fiction without second-guessing myself, without wondering if the latest story I’m working on is at all viable, is liberating and something I’m only recently able to do. The “pretender” syndrome of “I’m-n0t-a-real-writer-I’ve-just-been-lucky-with-a-few-short-stories” is more difficult to shake than you might expect. But statistics are on my side, showing that most of what I write consistently sells, at least at semipro level.

In 2012 I completed a total of 24 short stories, totaling almost exactly 50,000 words. Of those 24, I felt that 20 were good enough to submit (and may yet revisit the remaining four and fix them up).  I already sold ten of them (7 to pro-paying markets). I also sold almost every story I’ve been submitting since 2011.

Part of this success is due to submitting very aggressively. I spent time researching new markets, tried to make sure I never had too many stories hanging out on my hard drive without being out for consideration somewhere, and was perfectly willing to have the story debut in a smaller market rather than remain unpublished.

Write1Sub1 challenge (which I will continue in 2013) had helped. Also, my goal of hitting a total of 200 submissions kept me going as well. Sending out 200 submissions in a year is *hard*. I barely managed it, shipping off a few stories this past week just so I can reach that number. Here are my statistics for the year:

Submitted: 203

Currently out on submission: 13

Lost / never responded: 1

Rejected 159

Accepted: 30

There were also a number of stories accepted in 2012 which I submitted in 2011. A total of 35 stories (including reprints) were accepted in 2012. Of these 35 stories:

10 sold at pro pay (5c+ per word)

16 sold at semi-pro (1-4c)

3 sold to token markets (2 to Every Day Fiction and 1 to Toasted Cake. I donated the payment back to those markets)

6 reprints were donated without pay (5 to podcasts, one to a charity anthology).

And the stories that are still circulating? Although there are a few oldies I really like and can’t quite let go off, most are recent work, from late 2012, and I have every confidence that they will find quality homes soon!

So what’s the plan for 2013?

I actually expect LESS sales next year. Because I want to spend more of my time on writing novel(s), editing, and translating. So with that in mind, my 2013 goals are:

* Complete at least one novel and begin shopping it around to agents/publishers

* Continue to participate in the Write1Sub1 initiative and write at least one new short story per month.

* Translate into English at least two SF/F short stories by Russian authors

* Attend at least one major SF con (something like WorldCon or World Fantasy) and a few smaller ones

I wish everyone the best of luck with setting and accomplishing their own 2013 goals. Happy New Year!

 

 


Submitomancy Launches a Crowdfunding Campaign

December 30, 2012

submitomancy

Almost exactly a month ago, Duotrope announced that they were becoming a pay site, asking writers to fork over $50 a year or $5 a month to take advantage of their robust web site and an extensive database. Many writers (myself included) felt that it’s perfectly reasonable for a site to charge a fee, but that $50 was way too much money to pay for the privilege of feeding your own data into a Wiki-style service.

Most of the writers I know agreed that $20 was the sweet spot of what such a service would be worth to them, and many posited that someone will come along and launch an alternative to Duotrope very soon. That someone turned out to be Syliva Spruck Wrigley, a speculative writer and an online marketing professional.

I expected some webhead to cobble together a very basic online database, capable of tracking subs and performing basic analysis. Sylvia’s vision is far grander. She wants to create a sophisticated, slick site with lots of social media features, a detailed market database, and varying levels of membership. In short, it would be Duotrope 2.0. Advance feature membership would cost about $20 per year but, best of all, basic features would be free.

The project, titled Submitomancy, is currently seeking 5,500 British Pounds (or around $8800) in funding.  The money will be used to pay programmers and developers, and cool additional features can be unlocked via stretch goals.

So yeah, that $20 I was going to donate to Duotrope this year? Sumbitomancy can have it instead. Please consider buying your annual membership in advance in order to help them get off the ground sooner!

http://www.indiegogo.com/submitomancy


Anthology Submission Update – August 22

August 22, 2012

I’m woefully behind on posting the Anthology Updates and updating the blog in general. That’s because submissions have been pouring in now that we’re getting closer to the end of the sub period, and there are many many many other things that need doing that have been demanding my time.
So I must apologize that this update isn’t quite as detailed on the statistics as the previous ones have been. But I did want to let everyone (and especially authors in round 3) know where things stand at the moment. So here we go:
As of 11am EST on August 22 we read and responded to a total of 745 stories. Lately I sent out a larger percentage of form rejections (for the reasons stated above), but I still managed to get back to everyone within 48 hours (and most people far faster than that).
At the moment there are 18 accepted stories totaling approximately 55,600 words.  There are 19 stories in round 3 totaling 35,000 words.  So I’m already 10-15k over what I can buy, and that’s with over a week to go. I’m hoping to begin making final decisions as early as September 3-4, or whenever everything that’s submitted by August 31 is read.
I will post an update on or around September 1 and probably a more details one later on, with more detailed submission statistics.
The Kickstarter campaign is in full swing. It’s at 66% with just over 9 days to go.  I hope that it can reach its goal and indeed raise more than the $5000 I’m shooting for. Extra money will mean the ability to fit more stories into the book and possibly even buy a few extras to post for free on ufopub.com

So if you intend to purchase this book when it’s released, please consider pre-ordering it via Kickstarter instead. That would really help me out!