My Top 5 2013 Blog Posts

December 31, 2013

I’ve been moderately good about updating the blog this year — lots of publication and story sale news, but also an occasional interesting post about other things. As the year winds down, I went over my blog posts of 2013 and picked out my favorites. That is, the five favorite entries that I wrote, not the 5 best I read on the Internet

#SFWAPro

#5: It Came from the Slush Pile

I was posting regular slush updates during the UFO2 reading period, and at some point came up with the following bit of wisdom:  “This doesn’t mean that you can’t sell us a zombie reality TV story about a road trip in space. But it won’t be easy.” I suppose I shouldn’t have been at all surprised to find a flash story that used all those tropes in my inbox shortly thereafter! I couldn’t include it in UFO2, but I offered the author, Rachel Winchester, an opportunity to publish it on my blog (and paid her for it. You all know how I feel about 4-the-luv markets by now).

#4: Getting Short Fiction Published

I’m kind of cheating here. This was linked from my blog, but actually posted at SF Signal. They interviewed me about all sorts of submission-related things, including what kind of bribes I accept (for the record: coffee, chocolate, and flattery.) The interview came out really well and is easily one of my favorite blog posts this year. I would also like to give a shout-out to SF Signal, who don’t only provide an amazing service to the SF/F community, but have been incredibly generous and helpful to me as a publisher, in promoting UFO books.

#3: Hijacking the Space Marines

There was an outcry earlier this year about Games Workshop bullying indie author M.C.A. Hogarth over the use of the term “space marine.” They claimed ownership of it as part of their miniatures game, despite the term enjoying a healthy and consistent usage in a variety of science fiction stories that predate their company. Fortunately mine was but one voice of many, M.C.A.’s books were restored on Amazon, and GW hasn’t taken any action against her, to my knowledge.

#2: How I Spent My WorldCon: An Illustrated Report

A lengthy post about what it was like to attend my very first WorldCon, and to go on stage to pick up Ken Liu’s Hugo. With pictures!

#1: 5 Practical Tips on Writing Humor

Once again, I leave my own blog to find my favorite article of 2013. I wrote this as a guest-post for the Dark Cargo blog, and was very pleased with the result. There are precious few articles that deal with humor writing in any sort of practical way (since it is even more difficult to try and teach someone to be funny than it is to teach someone to be a good writer), but I hope that my advice will be of some use to those interested in writing humorous SF/F in particular.


Paying Back, 2013 Edition

December 26, 2013

Every year, I spent a bit of money I’ve earned from my fiction on supporting worthy writing-related web sites and magazines, be it via subscription or donations. In the past, I made most of these purchases in December, but this year I ended up spreading it out more throughout the year because of so many worthy Kickstarter projects I simply had to support. Even so, there are two in particular that I supported this month that I’d like to draw attention to in this post:

Crossed Genres

This is a quality magazine that is extremely supportive of diverse voices as well as new authors. They began to pay professional rates at the beginning of 2013, and are now holding a subscription drive in order to continue to publish and to pay writers fairly in 2014.  I was one of over 300 people who already bought a subscription, but they aren’t there yet — they need 600 subscriptions total to fully fund, and the subscription drives ends December 31.  Click here for more details.

 

The Submission Grinder

There is a fine balance between supporting the writing-related services you love, and becoming an over-charged customer. When Duotrope became a paid service at the rate of $50+ a year, I could not justify paying that much for what they offered. I was happy to donate $20 per year in previous years because it was a) voluntary and b) more along the lines of what I felt comfortable spending on a service where most of the value is added by its users Wiki-style to begin with.

Fortunately, the fine folks at Diabolical Plots have stepped in and created an excellent alternative service called The Grinder, which they are committed to keeping free for everyone.

While the Grinder is new and does not yet have the volume of users of Duotrope (they are growing fast, though!) — a much greater percentage of their users are neo-pro SF/F writers, and so the data for the markets that interest me is generally as reliable or more reliable than Duotrope, even with less people reporting.  They are constantly updating the site, introducing new and innovative features, and they’re extremely open to feedback. All in all, I am very thankful for the service they have provided to the SF/F writing community this year, and I encourage those of you who can afford it to kick in a few bucks and those who cannot to support them by uploading your submissions data, therefore improving the accuracy of their database.

 

Whether you choose to support these two venues or someone else (and there is no shortage of worthy candidates!) please consider spending a few extra dollars with venues that provide you with free, quality services year-around.  Your help will keep them going and available for you and for many other users who may not be fortunate enough to have the disposable income for this.

And while I’m updating the blog, also check out my story Nuclear Family, podcast by the wonderful folks at the Cast of Wonders.

NuclearFamily

Merry Christmas and Happy Holidays!

#SFWApro

 

 


Getting Short Fiction Published & a Coffee Giveaway

December 20, 2013

Coffee_Cover_v1r2

I was recently interviewed at SF Signal on the subject of getting one’s short fiction published. Really, the answer is very simple and straightforward: write a good story and keep submitting it until it sells somewhere. But if you want a more elaborate version full of snark, or to learn what sort of bribes I accept, or to see me slam non-paying  markets (again), then go ahead and click that link!

And speaking of getting short fiction published, I recently sold a humor flash “Bedtime Story on Christmas Eve, 1,000,000 AD” to Spark: A Creative Anthology and it will appear in the next issue., which launches on January 1 and features a foreword by Kevin J. Anderson.

A reprint of “Life at the Lake’s Shore” will appear in an upcoming “Outpouring: Typhoon Yolanda Relief Anthology,” a charity projected edited by Dean Francis Alfar. No link yet, but I will post one as soon as it’s available.

Not much else to report on the acceptances front at this time, but then things do tend to slow down around the holidays.

Meantime, I’ve been laboring away on Unidentified Funny Objects 3. I’m very happy to report that I already have three stories from three huge names in SF/F, and a fourth story in final edits. I have a really cool cover, too. Expect more information on this in January. A number of folks asked about the next submission period: we will have one in the Spring, most likely in March.  I am absolutely committed to keeping each volume of the UFO series open to subs from the public alongside the stories solicited from the top pros.

Meantime, there are a few days left to enter the giveaway for a signed paperback copy of COFFEE: 14 Caffeinated Tales of the Fantastic. Over 700 people already entered this giveaway, but it’s free to enter, so why not give it a shot? Just click here to participate.

#SFWApro

 


Your Coffee is Ready!

December 4, 2013

#SFWApro

 

Each time a new book is released into the world is a little bit like a birthday. Today I had the pleasure of e-mailing the COFFEE e-books to our Kickstarter backers, and folks who were kind enough to pre-order them. Tomorrow I expect to spend much of my day packing physical copies. I’m very excited about this book,  and can’t wait to share the end result with the world.

For those of you who didn’t back Coffee on Kickstarter (and why not, I ask?!), you can order your very own copies at UFO Publishing Buy Our Books page. It’s only three bucks for an e-book, which is cheaper than an actual cup of coffee, if you like yours Venti or Grande.

And if you do not already own copies of UFO1 or UFO2 (and why not, I ask again?!), we have a Holiday Bundle special where you can get all three physical books for $30 or all three e-books for $12. Follow that same link to take advantage of it. The special will only last until December 9th.

And if you absolutely must get it on Amazon, here’s the link to the paperback. E-books should be popping up on Amazon, B&N, Kobo, and Smashwords by the weekend.

Remember: books make great holiday presents!

OK, I’m done with the hard sell now. Really.


New Publication: An Indelible Feast (aka the Kosher Pig story) at Stupefying Stories Showcase

November 15, 2013

I don’t remember exactly how it came about, but one day I got it into my head that I should write a kosher pig story. Challenge accepted! From this silly notion, “An Indelible Feast” was born.

I’m a foodie. I don’t drink, I don’t smoke, and I don’t party — but I love a good meal. So it was only natural for me to write a story laden with foodie references.  Ferran Adria is a real chef, by the way. I guess he better open a fancy molecular gastronomy restaurant by 2015, or my story will become dated!

Read the story here:

Stupefying Stories Showcase #10

Some other exciting news to report:

Mike Resnick accepted my cybernetic-assassin-who-can’t-feel-pain story “Doubt” for an upcoming issue of Galaxy’s Edge magazine.

“Coffee in End Times,” a story I co-wrote with Alvaro Zinos-Amaro was accepted at Nature and will run sometime in early 2014.

“The Keepsake Box” was accepted at Daily Science Fiction and will also likely appear in early 2014 (though their schedule varies).

My volume of sales is likely to slow down a lot in the near future, as I concentrate on the novel instead of pumping out more short stories and I will miss it terribly. Because receiving that acceptance in my inbox never gets old!

#SFWApro

 


PhilCon 2013 Schedule

November 5, 2013

I’ll be at PhilCon this weekend, participating on a variety of panels. I’ll also have a reading and a signing. This is my schedule:

#SFWAPro

    • Fri 7:00 PM in Crystal Ballroom Three—“Ender’s Game”: The Book versus The Movie (1504)Just one week before Philcon 2013, Hollywood finally released a film version of the classic SF novel “Ender’s Game”. How did the movie differ from the book. Were the changes necessary, or did they change the tone and theme of the story? Did they do it right?

Andrew C. Murphy (mod), Andrew Breslin, Alex Shvartsman, Tim Souder

    • Sat 11:00 AM in Autograph Table—Autograph: Neil Clarke, Alex Shvartsman (1671)

Neil Clarke (mod), Alex Shvartsman

    • Sat 1:00 PM in Plaza III (Three)—Editing Anthologies: Beyond the Gimmick (1499)Anthologies are often sold on the basis of a gimmick or concept that connects the stories, such as “Killer Rutabagas from Space”. How do you get beyond the gimmick to a work of substance?

Elektra Hammond (mod), Brian Koscienski, Alex Shvartsman, Keith R.A. DeCandido

    • Sat 6:00 PM in Crystal Ballroom Two—Becoming a Full Time Writer (1496)How do you become a full time writer? Is that a good idea for you?

Alyce Wilson (mod), Alex Shvartsman, David Sklar, D.L. Carter, Thomas Willeford

    • Sun 11:00 AM in Executive Suite 623—Reading: Alex Shvartsman (1664)

Alex Shvartsman (mod)

    • Sun 2:00 PM in Crystal Ballroom Two—Meet the Editors Panel (1535)Magazine and book editors discuss the current fiction markets.

Marvin Kaye (mod), Danielle Ackley-McPhail, Alex Shvartsman, Ian Randal Strock, Neal Levin, April Grey

 


New Publication: In the Wake of the Storm

October 22, 2013

This October is flying by faster than any month has a right to.  I’ve been incredibly swamped with a variety of projects, but wanted to pop in and post a quick update.

New Publications:

“In the Wake of the Storm” is live today at BuzzyMag.com

This is a modern fantasy story about the aftermath of super-storm Sandy in NYC.  The opening scene was inspired by my own experience helping my stepfather deal with the flood damage while trying to get around in the borough deprived of electricity and gasoline.  This is the actual photo I took inside of his house:

Water surge flooded most basements or even ground floors in Rockaway. The high-water line in this photo is at nearly six feet.

Water surge flooded most basements or even ground floors in Rockaway. The high-water line in this photo is at nearly six feet.

I loved playing with the voice and tone of this story, but the best part was that publishers at Buzzy were kind enough to schedule it to go live just before the one year anniversary of Sandy! I hope it will be well-received.

#SFWApro“A Man in an Angel Costume” is live at Horror d’oeuvres.

This one is behind a pay wall but may be well worth for horror fans, as they provide lots of content including a weekly flash story. I read a handful and enjoyed most of them, even though I am not typically a horror reader.

“A Man in an Angel Costume” is one of my oldest stories that haven’t sold previously. But I never gave up on it — I love the prose poetry opening that transitions into a more traditional narrative as the story develops. Some editors really hated this format while for others it came very close, but I never gave up and kept submitting it, until the story found a right home.

New Sales

If I had to choose one signature story to represent my writing, I would definitely go with “Explaining Cthulhu to Grandma,” a humor fantasy piece about a magic pawn shop which was published at InterGalactic Medicine Show earlier this year. I’m extraordinarily pleased that IGMS also picked up its sequel, “High-Tech Fairies and the Pandora Perplexity.” It will appear in an upcoming issue, though I don’t have the exact time frame yet.

There are also a handful of reprint sales (two instances of markets taking three reprint stories each!) One is a printed magazine and another a mobile platform. I will be able to talk more about both sometime in the near future, but I’m glad to find more ways to share my stories with readers.

Conventions

I had a wonderful time at CapClave and hope to return next year. My next convention will be PhilCon in November and I will post my panel schedule once I have it.

Unidentified Funny Objects 2

The book launched on October 7 and the sales are solid. In fact, we’ve sold more copies of UFO2 so far than we did copies of UFO1 in its first month! So definitely moving in the right direction.

Coffee

I’m woefully behind on this project, but the good news is that the stories have been copy-edited and should go out to book designers for e-book and physical layout later this week. It’ll be really tough to meet the November goal, but I still expect to have them out to all Kickstarter backers before Christmas.

Dark Expanse

This project is chugging along on schedule, and the anthology should release in the first quarter of 2014.

Unidentified Funny Objects 3

I am already laying some groundwork for the third volume of the series, such as inviting headliners, lining up a cover artist, etc. So far I have two stories in already from two Big Name authors. But I won’t tell you more until I’m ready to make an official announcement, because I am mean and I like to tease people.

 

And that’s all the updates I have for now. Back to the pixel mines for me!


Capclave 2013 Schedule

October 10, 2013

I’ll be attending CapClave this weekend, having chosen it over the NY Comic Con.  I’ll be missing NYCC for yet another year, but given CapClave’s focus on short fiction, choosing to drive 4+ hours to attend it instead of a 45 minute subway ride to ComicCon makes a lot of sense to me.

My current CapClave schedule is as follows:

#SFWApro

Friday 4:00 pm: Editors’ Pet Peeves (Ends at: 4:55 pm)
Panelists: Mike McPhail, Norm Sherman (M), Alex Shvartsman, Hildy Silverman
The next great story has been sent to the editor. But the author did this…
Friday 5:00 pm: Author’s Table Friday 5 (Ends at: 5:55 pm)
Panelists: Alex Shvartsman
Friday 9:00 pm: Reading: Alex Shvartsman (Ends at: 9:25 pm)
Panelists: Alex Shvartsman
Saturday 9:00 am: Short Fiction Sources (Ends at: 9:55 am)
Panelists: Neil Clarke, Mike McPhail (M), Alex Shvartsman, Sean Wallace
Aside from the not so big anymore three magazines, where do you go for short fiction? What online sources have the best stories?
Saturday 4:00 pm: The Worlds of Clifford Simak (Ends at: 4:55 pm)
Panelists: Jamie Todd Rubin (M), Darrell Schweitzer, Alex Shvartsman, Michael Swanwick
50 years ago Simak won a Hugo for Way Station. He also wrote City and the Hugo and Nebula winning “Grotto of the Dancing Deer.” Yet today, few younger fans have read his work which is available only in the small press and “public domain” compilations. What happened? What makes his stories so timeless? What do you think is his best work and how can it be revived for today’s audiences?
Sunday 9:00 am: Jesus Saves, So Should Writers. Ctrl-S (Ends at: 9:55 am)
Panelists: Judi Fleming, Rahul Kanakia (M), Dina Leacock, Alex Shvartsman, Bud Sparhawk
Practical tips for writers – How do you keep track of different versions and edits? How often do you back up? How do you track where a story has already been submitted? And what do you use for outlining/note taking?

There are occasionally last minute changes and additions. You can click on this link to see the most up-to-date list of panels I’ll be participating on at the con.


Three chances to get a free copy of UFO2!

October 8, 2013

UFO2cover#SFWApro

It’s been a busy, busy week.

I shipped out several hundred copies of physical UFO book to Kickstarter supporters, distributors, and pre-orders. I set up the digital book to make it available on Amazon, Smashwords, B&N. and Kobo.  I hosted a launch party for UFO2 on Sunday (thanks to everyone who came by!) and attended a SFWA reception on Monday, where I got to hang out with some of our awesome contributors as well as hand out a few copies of the book.

If you haven’t attended one of these things, there are at least three separate opportunities for you to snag a free copy of UFO2:

1) GoodReads giveaway:

You can enter the GoodReads giveaway between now and October 20th to win a paperback copy signed by me.

2) Jim C. Hine’s giveaway:

Jim is giving away a signed copy  of either UFO2 or Heroes in Training on his blog to one person who contributes to Eugie Foster’s fundraiser. Eugie Foster is battling cancer right now and could really use the extra help, so please consider contributing to this.

3) J.W. Alden’s giveaway:

JW Alden is also giving away a copy of the book on his blog. All you have to do is post int he comments!

And if you don’t win? You can always click here and follow the links to buy a copy of the book from your favorite e-tailer. Or, buy a copy directly from UFO Publishing. I’ll get to keep more of the money and use it on — what else? — putting together UFO3!3

And, just in case you need a little more convincing, before you fork over some hard-earned cash for a copy of this book, check out our first review, by David Kilman at Amazing Stories.

 

 

 


Thoughts on Breaking Bad Finale (Caution: Spoilers Ahead)

September 30, 2013

All bad things must come to an end.

It happens all the time: a great show comes along, hooks the viewer with an incredible first season, and then runs of out steam. It goes on for a few more seasons and, as a viewer, I am loyal enough to keep watching. But I just want it to end, because by that point the show has become a shell of its former shell. It never recaptures the greatness that was it’s opening salvo. Some examples of that are Heroes and Prison Break.

Breaking Bad, on the other hand, remained fascinating throughout its five season run, and — if anything — it kept getting better. The show took a few seasons to find its tone. When it began, it reminded me of Weeds. The show was lighter, seemed to take itself less seriously. Then it veered toward the dark and over-bent the stick. The second season had a few episodes that were too slow and contemplative, as if to make up for the indiscretions of its first-season youth. The Fly comes to mind. Then the show finally hit its stride, developed fascinating new characters like Gus Fring and Mike, and it was smooth sailing forward.

The final season was so good that, by comparison, the actual finale was relatively tame. An argument can be made that the real resolution came two episodes earlier, in aptly-named “Ozymandias.” However, Vince Gilligan needed to tie up loose ends and he set about doing that with great proficiency. Overall I quite enjoyed how the show ended, except for one very important element.

Major spoilers follow, so if you haven’t watched the finale yet, please do not read anything below the picture.

carlosdanger#SFWApro

So here is what I had so much trouble with: I feel that Walt was given an easy way out.

It’s clear that he didn’t expect to survive his encounter with the Nazis. He went in there expecting to die, and probably expecting to add Jesse to the long list of enemies he would have revenge against before it was all over. I like the fact that he makes the last minute decision to save Jesse. I also like that he provides Jesse with at least some closure by giving him the gun and the opportunity to take Walt out. I like that Jesse refuses this opportunity.

However, the death Walter has been by the writers of the show given is almost a gift. It’s the best possible thing that could happen to him at that point. He found a way to provide for his family, defeated all of his enemies, and now he gets to go out in a blaze of glory, and to fade to black on the floor of the lab that was his brain child. Worst of all, this is something that happens to Walt. The character that has had so much agency throughout the show, and especially in the final episode, is given a relatively graceful exit that he has no control over at all.

This is how I would have changed the ending (and I say this realizing fully that Vince Gilligan and his team of writers are absolutely brilliant, and I’m presuming, rather foolishly, to rewrite them.  Still, hear me out.):

I would keep everything the same until the moment Walt and Jesse are on the ground, except for the bullet that finds Walt. I think that Jesse’s decision not to exact further revenge on his ex-mentor becomes a lot more redemptive and powerful if he doesn’t see that Walt is wounded.

For the final scene, I would have liked to have Walt standing in the meth lab, surrounded by the equipment he designed, watching the approaching police cars, gun in hand. I wanted him unencumbered by the mortal wound, forced to make a decision — does he take his own life, or does he surrender to the authorities at this point? I wanted him struggling with this decision for several long, delicious moments.

In the end, had I been writing the finale, I would have had Walt wait for the cops to enter the lab, then fire several shots above their heads, forcing them to return fire and take him out. Suicide by cop. Walt would retain his agency up until the very end, unwilling to take his own life, unwilling to be arrested, and able to engineer the very last bit of violence to serve his ego.

An ending along these lines would have been icing on the cake for me. Endings are hard. Especially so for character-driven TV series with many sub-plots and story lines to resolve. More often than not we get far less satisfactory endings (see the recent Dexter finale). Whether you agree with letting Walt have the death that he does, allowing Jesse to escape, having paid his penance over the course of the show, or allowing Saul to slink away in the previous episode, the great story arc of the final season trumps any specific character decisions we may or may not agree with as viewers, and will be remembered as some of the finest work in television dramas for years to come.