The Duotrope Conundrum

December 1, 2012

If you’re a working writer who actively submits short stories to markets for publication, one of the most useful sites on the Internet for you is Duotrope.com

Duotrope collects and displays information about markets. Let’s say you wrote a 5000 word epic fantasy story and want to sell it for at least 5c a word. Using their search function you can quickly generate a list of markets that accept stories at that length and pay pro rates, and are open to submissions. You can then sort them by average response time, or even by perceived difficulty of the market (i.e. what % of reported submissions has been accepted).

Anyone who follows this blog knows how much I love stats. As such, it’s no surprise that I really enjoy DT. So much so that I have donated money to help defray their costs last year, and was going to donate again in December (when I will be supporting several worthy writing-related sites with my dough).

But this morning I woke up to learn that Duotrope will no longer be a free site. Furthermore, they’re asking for a whopping $50 a year (or $5 a month) for their services. And while I was happy to give them $20 a year when I didn’t have to, I won’t pay $50. Here’s why:

Duotrope does three things that are relevant to me:

1) Track submissions.

I’m able to see all my active submissions at a glance and quickly pull up my submission history for that particular market.

Pro: Ease of use
Con: Only marginally better than an Excel spreadsheet. In fact, I use both. Partly because I want access to my data on my local hard drive and partly because while DT lists MOST markets, it doesn’t list ALL markets I submit to, such as private anthologies, invitation-only projects, etc. There are also other programs and web sites I can use if I ever felt that Excel was’t sufficient.

2) Track new markets.

DT lists dozens of new markets every week. Many of them are useless (to me) no-pay sites read by the editor, his mom, and maybe 15 other people per month. However, it does list all the pro and semi-pro start-ups as well, and makes it easy to find them.

Pro: Ease of use, very thorough.
Con: There are other sites out there that track new markets. Most notably, Ralan.com which has been around longer than Duotrope, specializes in speculative markets, and often posts new market info before DT has it. Their site isn’t pretty to look at, but it gets the job done.

3) Wiki-fy the submission process.

What makes DT really, really good is its volume of users who are willing to report their rejections and acceptances. Say I have a story on submission at Daily Science Fiction. A quick look at DT’s recent reports lets me know where the editors are in their slushing process. Are they responding to submissions in about 2 weeks, or should I expect to wait 3? Hundreds of DT users reporting their subs provides a very useful and relatively accurate snapshot of the slush status at various markets.

Pro: Amazing at helping users track the slush habits of various markets/editors.
Con: Only works if enough users are reporting their data.

And therein lies a problem. With Duotrope being a free service, about 10-20% of all submissions are reported there (as per my experience comparing actual slush numbers at UFO with what’s been reported there, as well as talking to other editors.)

Once DT becomes a paid service, a vast majority of their users will leave. They will no longer report  their submissions, which will make the DT system far less accurate. A critical mass of users is needed in order to maintain the usefulness of a Wiki-style site, and I don’t feel that DT will be capable of holding on to nearly enough people at their proposed rates.

I am not mad at the DT folks. It’s their web site and they can do whatever they want. We writers certainly shouldn’t expect them to operate at a loss for our benefit.

However, I feel that they’re making a very poor decision from a business standpoint. $50 is a lot to pay for a web site subscription. And anyway, can you think of many *successful* Wiki-style sites that charge for membership? the only one I can think of that remotely qualifies is Angie’s list.

By charging these rates, DT is likely to cause a downward spiral whereas even those users who’re willing to fork over $50 won’t be happy, because DT will no longer have the critical mass necessary to provide those paid users with a meaningful service.

So what could Duotrope do to raise funds? There’s no silver bullet, but there are a number of options to pursue:

* Lower rates. Personally I’d pay $20/year. Even at the risk of much worse results, I would fork over a $20 bill just to help them with the experiment and see if DT could sustain itself as a useful service. $2 a month or so is an amount a lot of users might actually pay.

* Charge markets a small annual fee to list them. Once again, I wouldn’t fork over $50 as a publisher, but I’d pay $10 a year or something to that tune in order to have UFO Publishing listed on Duotrope. Obviously having too many markets unwilling to pay would ruin the service, but DT could still offer some data about the other listings with “premium” markets offering a greater level of detail.

* Sell advertising. I’m guessing that plenty of fledgling markets would fork over some money in order to have their banner ad appear at the top of the DT listing.

There’s no perfect solution and someone will be unhappy regardless. But I mourn the end of the Duotrope era as we know it and hope that they will either reevaluate their 2013 strategy or someone else will step up and design a free-to-use bare-bone Wiki site to help accurately track response times.

 


Great Press for In Situ

November 20, 2012

 

I woke up this morning to find people on Twitter talking about not one, but two reviews for In Situ — an anthology of alien archaeology from Dagan Books edited by Carrie Cuinn. Both reviews were favorable, and both had some very nice things to say about my SF/humor story “The Field Trip” which closes out the book.

A Fantastical Librarian calls In Situ an interesting and thought-provoking anthology.”  The SF Signal review compliments In Situ on its “well-written, quick-paced stories.”  Both reviews are incredibly kind to “The Field Trip,” which made my morning.

In Situ eBook is only $3.99 on Amazon and the trade paperback is $9.99.

 


The Birthday Post

November 19, 2012

I turned 37 today. Alert the media. Or don’t. But, editors, please hold those rejection slips until tomorrow, k?

Over the last couple of weeks, I got to attend PhilCon, which was an awesome convention. Although it was a bit smaller than I expected (probably around 1000 people) I had a great time, catching up with old friends  and meeting lots and lots of new ones. I got to participate in discussion panels with the likes of Gardner Dozois, Neil Clarke, and Gordon Linzner and (mostly) held my own!  I’m already contemplating more conventions to attend in 2013!

This photo was blatantly stolen from Michael Haynes’ blog, where he talked about his own PhilCon experience and posted several more photos. And since we roomed together and hung out together for most of the con, I’m in several of those.

Another bit of good news I received literally the day before PhilCon was that Buzzy Magazine accepted “The Tinker Bell Problem.”  It’s a story of a demon who summons a human via a pentagram, expecting the human to use its awesome powers in order to solve all of the demon’s problems! It’s also my second sale to Buzzy and I’m excited that this story will be appearing there sometime in 2013.

I also have an interview up today at the Fantasy Scroll blog by Iulian Ionescu where I talk some about the challenges of being a writer for whom English isn’t a native language, publishing an anthology, and South Park.

Finally, I’m pleased to announce that Stupefying Stories issue 2.1, guest edited by David M. Blake, is hitting the virtual newsstands this week. David put a tremendous amount of work into collecting this issue and interweaving some ideas and concepts throughout multiple stories. It is also about twice as “thick” as a typical issue, and features some truly excellent authors, so you’d do well to check it out when it goes on sale!

 

 

Finally, I’m pleased to announce that Unidentified Funny Objects ARC (Advance Review Copy) is here and has been sent out to various reviewers as of yesterday. If you review books and would like a copy and the press release, please contact me. And if you don’t review books but would like a copy, you can help support UFO by pre-ordering one directly at ufopub.com

 


My PhilCon Schedule

November 4, 2012

 

I’ll be attending PhilCon in Cherry Hill, New Jersey next weekend, and the organizers just sent me my schedule. I will appear on 6 panels over the course of Saturday and Sunday, which are listed below. I want to meet *everyone* so if you want to hang out, e-mail me, Tweet at me, contact me on Facebook or just find me at the con!

 

Sat 10:00 AM in Plaza V (Five) (1 hour)
NON-US  SF AUTHORS

[Panelists: A.C. Wise (mod), David G. Hartwell, Andrew C. Murphy, Alex Shvartsman]

    There are a lot of great authors that just aren’t as popular in the
    US as in other countries.  Who are some of the writers that don’t
    get a lot of attention here that we should be reading

Sat 11:00 AM in Executive Suite C (1 hour)
GAME DESIGN FOR FUN AND (PROBABLY NOT A LOT OF ) PROFIT!

[Panelists: Alex Shvartsman (mod), Eric Avedissian, Joan Wendland, Peter Woodworth, Neal Levin]

What goes into designing a game?  What are some important things
    that many new games miss?  How much playtesting is needed

Sat 1:00 PM in Crystal Ballroom Two (1 hour)
GETTING A (KICK)START(ER) ON THAT PROJECT!

[Panelists: Jonah Knight (mod), Eve Okupniak, Alex Shvartsman,  Patricia Wake, Aaron Rosenberg]

    Kickstarter, and other crowdfunding sites, have changed the
    landscape for fundraising to support various creative projects, from
    new games to films to other artistic endeavors.  But setting up a
    crowdfunding campaign can also lead to serious problems, from not
    following through on promised incentives, to not being able to
    complete the project, to serious financial difficulty.  Our
    panelists will talk about how to run a successful crowdfunding
    campaign, and how to avoid the pitfalls

Sat 2:00 PM in Crystal Ballroom Two (1 hour)
BEST SF AND FANTASY OF 2012 (1120)

[Panelists: A.C. Wise (mod), Gardner Dozois, Lisa Padol, Alex Shvartsman]

    What are some of the great novels, novellas, and stories out there
    this year?  What is likely to be nominated for awards in the field
    and why

Sun 10:00 AM in Plaza IV (Four) (1 hour)
KILLING HITLER FOR FUN AND PROFIT

[Panelists: Andre Lieven (mod), KT Pinto, Michael F. Flynn, Alex Shvartsman, Glenn Hauman]

    How have various authors treated the idea of trying to change the
    past?  CAN you change the past, and if so, what are the consequences

Sun 2:00 PM in Crystal Ballroom Two (1 hour)
IT CAME FROM THE SLUSHPILE

[Panelists: Ray Ridenour (mod), Neil Clarke, Neal Levin, Alex Shvartsman, Gordon Linzner]

    Editors describe really strange things they have received in
    unsolicited submissions.  Some are funny, some are awful, and some
    are just plain sad

 
If you have suggestions, anecdotes or requests for the discussion points on any of the above panels, please post them in the comments! I’m especially eager for some help on the time travel and best-of-2012 panels.

 


Publication: “You Bet” at UFO Publishing

October 29, 2012

 

 

“You Bet” is a fantasy/humor Poker story I wrote to explain what the heck is going on in the cover image of Unidentified Funny Objects (seen above). I promised the Kickstarter backers that I’d write and post this story if the campaign became fully funded, which it did.

Click here to read the story.

 

 

 


October 2012 Recap

October 28, 2012

 

Earlier this month I got to attend the Viable Paradise writing workshop on Martha’s Vineyard. It was an amazing experience, and I will write a much more detailed post about it soon — but it was so formulative and overwhelming that I couldn’t bring myself to blog intelligently about it right away.  It is on my (very long) to do list for November.

Although I’ve only written one new story this month, I’ve had a number of very exciting sales and publications in October.

Publications:

“The tell-tale ear” was published by The Journal of Nature. This is a 21st-century retelling of “The tell-tale heart” told entirely through e-mails. I wrote the story for a Shock Totem contest and was thrilled to have it sell to Nature mere days after I submitted it there, by far my fastest pro-level acceptance.  You can read this story here.

Smoke & Mirrors, an outstanding podcast by Dennis R. Miller, produced my 100-word humorous fantasy story Chill, which originally appeared in The Drabbler a year ago.  Dennis was also kind enough to plug Unidentified Funny Objects. Listen to this week’s episode here.

Combined with my Bards & Sages story mentioned in the previous post this has been quite a month for my humor stories. And, to top it off, yet another humor story will appear on ufopub.com — but I will make a separate post about it when it goes live.

Sales:

Stupefying Stories will publish “Number Station” in their November issue, edited by M. David Blake. The story was accepted by Stupefying Stories back in January and has been waiting for the right issue ever since. So technically this isn’t a new sale, but I’m pleased to share this story with the world.

Weird Tales accepted “A Gnomish Gift” for their Fairy Tales themed issue, which is likely to appear around December.

Daily Science Fiction accepted “Things We Leave Behind” — this is my fourth sale to my favorite SF ‘zine, and the first longer Friday story (at 2500 words).

So what’s on tap for November? It’s novel time! Beginning November 1st I will tackle a novel. I’ve been busy outlining and planning and generally thinking about the themes and motifs I would like to feature in the book. Although I expected my first novel to be a Conrad Brent story, I decided to start with something else instead. This will be a space opera tentatively titled “World Burner” and based on the short story “The Dragon Ships of Tycho” which I wrote last year and which was published in the Galactic Creatures anthology in Spring of 2012. I wrote the sequel story to “Dragon Ships” titled “The Sgovari Stratagem” while at Viable Paradise and the world and characters just can’t get out of my head. So I’m going to expand on these two stories and try to produce the first draft of a novel in a few months’ time.

I don’t want to abandon short stories though. I still intend to write at least one new short story per month to meet my Write1Sub1 goals. Speaking of Write1Sub1, the fine folks behind this motivational program are gearing up for its third year and they recruited several new moderators to help usher it along. I’m one of those new moderators. Which means I will be in charge of posting the weekly content on the Write1Sub1 web site for at least one month next summer, among other things. Because, you know, there wasn’t enough on my plate already. But I love the W1S1 initiative and how it helps lazy writers like myself to produce more words and helps the more timid writers among us to kick their stories out the door and into submission queues, so when they asked, it was an easy “yes” for me.

I’m looking forward to November. I will attend Phil Con and send ARCs (Advance Review Copies) of Unidentified Funny Objects to reviewers. And, with any luck, have more exciting story sales to report.

 


September Recap

October 5, 2012

I keep telling myself (and all of you) about how I will be updating this blog more regularly. So far it has been a big fat lie. But then, what do you expect from someone who writes down lies for fun?
Seriously, it has been a crazy couple of months. Putting together an anthology is an infinite amount of work. It cut deep into my writing time, let alone blog time, reading time, and any other -time that doesn’t involve work or family. So here’s a brief recap of what’s been going on in my writerly life in September and early October:
* I’m pleased to announce that Unidentified Funny Objects has been copy-edited and is off to the interior designer. We should have galleys within a few days and an ARC to send out to authors and reviewers in a week or so.

* Monthly humor stories on ufopub.com have been  launched. First up was “The Ogre King and the Piemaker” by Tarl Kudrick. Do yourself a favor and check it out, it’s as funny as anything in the book!

* My flash fiction story “Manna From Heaven” opens the October issue of Bards and Sages Quarterly.  “Manna from Heaven” opens the issue, which is very neat.  You can pick up a copy on Amazon.

 

 

* I sold “The Miracle on Tau Prime” to Daily Science Fiction. It’s a story of the Vatican miracle investigators… in space! There’s no publication date, but I would expect it to appear either really late in 2012 or in early 2013.

* The FISH anthology from Dagan Books which includes my story “Life on the Lake’s Shore” among work from many other fine authors will be coming out this month.

* My story “The Tell-Tale Ear” will be coming out in the October 18 issue of Nature and will be available to read for free online.

* I’ve been invited to submit a story to the “Beyond the Sun” anthology. If accepted, it’d share the table of contents with such juggernauts as Silverberg, Resnick and Kress! Of course, this project needs to be funded first, and it could use all the help it can get. They’re currently on Kickstarter, so do me (and yourself) a favor and pre-order a copy over here.

* I will be attending PhilCon as a guest this year, participating on panels and possibly doing a reading. This convention will take place in Cherry Hill, NJ (15 minute drive from downtown Philadelphia) on the weekend of November 9 through 11. There will be lots of awesome people I know there, and I encourage anyone who can make the trip to attend.

 

 

* Saving the best for last: Tomorrow I’m heading to Viable Paradise. This highly prestigious writing workshop takes place annually on Martha’s Vineyard. It is now in its 16th year. 24 newer writers like myself will learn from instructors Elizabeth Bear, Debra Doyle, Steven Gould, James D. Macdonald, Patrick and Theresa Nielsen-Hayden, Steven Brust and Sherwood Smith. I’m super excited about this workshop and hope it will help me take my writing to the next level (preferably bypassing the tough boss monster at the end of the current level).

I apologize to my non-video game playing readers for that reference. (OK, I’m not really sorry. Deal with it.)

And when I get back, I will be updating the blog more regularly. At least that’s what I keep telling myself.

 

 


Guest Post: Beyond the Sun by Bryan Thomas Schmidt

September 24, 2012

 

I’m the editor of a Kickstarter anthology project called Beyond The Sun, which has four multi-award winning headliners–Robert Silverberg, Nancy Kress, Mike Resnick and Krisine Kathryn Rusch–and many successful midlist writers as well. Bestselling novelist Jean Johnson, novelist Erin Hoffman, Hugo/Nebula nominee & Analog regular Brad R. Torgersen, Analog regular Jamie Todd Rubin, Interzone regulars Jason Sanford and Matthew Cook, fellow editors Cat Rambo and Jennifer Brozek–do any of these names sound familiar? All of them are attached to write new space colonists stories for this project. The fact that they’re all also friends of mine just makes it better.

I love helping writers. And I’m a big believer that networking matters. And when you have a track record and a good network, you don’t have to wait for opportunity to come to you, you can create it. With NASA downsized and scientific exploration being downplayed, there’s a need for the kind of inspiration those shuttle launches and moon landings once provided. For imagining the world beyond that which we know and the possibilities that exist “out there” somewhere.  Beyond The Sun is an attempt to fill that gap while, at the same time, giving writers work that pays fair rates and allows up and coming writers the opportunity to reach a larger audience both, by appearing alongside big name headliners, and by being involved in something aimed at a larger audience.

Beyond The Sun is not intended to be academic, but it is intended to be academic friendly and family friendly–writers are free to explore a variety of subjects but graphic violence, language and sex should not be employed to do so. Neither should heavy-handed politics or religion. We have stories that touch on both, just not in a prosletyzing manner. For example, Bob Silverberg’s “The Dybbok Of Mazel Tov IV” is about what happens when Jewish settlers, tired of fighing over Israel, instead immigrate to a planet to start a new homeland. When a spirit (Dybbok) appears in a native alien of the planet which speaks with the voice of one of their own, they find themselves asking can aliens be Jews? What does it mean that things their modern sect gave up for old fashioneed have occurred in their midst? It’s an interesting story and the only one in which Silverberg touches on his Jewish heritage.

Mike Resnick’s Africa tales have won numerous awards. And he’s writing a new one for this project. Nancy Kress’ work has explored colonization in many forms, from her Hugo-winning “Beggars Of Spain” to her short stories and she’ll explore it again here. And Kris Rusch’s work is so diverse yet powerful, I can’t wait to see what she comes up with. The easiest part of the project has been recruiting writers. The SFF crew love this concept. It’s a theme everyone loves to explore. The hard part is the Kickstarter, and that’s where you come in.

Because a lot of anthologies today just stick with cover art, we’re hoping to raise money to have interior b&w illustrations, like the one shown for Silverberg’s tale. It adds a visual connection to the story that aids thee imagination for readers and we writers love to see how artists interpret our vision as well. Special art prizes are in the rewards as well because award-winning digital artist Mitchell Bentley has come up with a great cover (currently in mockup.) And I get the chance to nurture and encourage writers, which is what I love, but also to do it around a subject I’m passionate about. I got the chance to do it before with Space Battles, which I edited in 2011 and was published in April 2012 and as a freelance book editor. But I want to do more, so I created the opportunity.

It’s also an opportunity for you to see some great artwork and stories from both established and up and coming artists and writers. And a chance to revisit the part of your childhood and mind that still wants to know what’s out there and longs to see it for yourself one day. Just writing those words gets me excited. I’m hoping many of you feel the same. Thanks for supporting us!
http://www.kickstarter.com/projects/601968027/beyond-the-sun-anthology

 

Bryan Thomas Schmidt is an author and editor of adult and children’s speculative fiction. His debut novel, The Worker Prince(2011) received Honorable Mention on Barnes & Noble Book Club’s Year’s Best Science Fiction Releases for 2011. A sequel The Returning followed in 2012 and The Exodus will appear in 2013, completing the space opera Saga Of Davi Rhii. His first children’s books, 102 More Hilarious Dinosaur Books For Kids (ebook only) and Abraham Lincoln: Dinosaur Hunter- Lost In A Land Of Legends (forthcoming) appeared from Delabarre Publishing in 2012.  His short stories have appeared in magazines, anthologies and online. He edited the anthology Space Battles: Full Throttle Space Tales #6 (2012) and is working on World Encounters and Space & Shadows: SpecNoir with coeditor John Helfers, both forthcoming. He hosts #sffwrtcht (Science Fiction & Fantasy Writer’s Chat) Wednesdays at 9 pm ET on Twitter and is an affiliate member of the SFWA.

 


Unidentified Funny Objects Table of Contents Revealed

September 21, 2012

 

Table of Contents for the book is now posted at the UFO Publishing web site!

Also announced are the FREE stories we’ll post on UFO Web Site every month for the next six months.  It’s very exciting! Click on the above link and check it out.

 


A Quick Anthology Update

September 9, 2012

I’ve been very quiet in the last week and that’s because I’ve been working very hard on finalizing the TOC. I know all the writers who are still waiting for an answer are very anxious to hear back and I’m fairly sure I should be able to make final decisions and contact everyone on Monday.

Next week I will also send out Kickstarter surveys to collect everyone’s information and begin preparing the rewards as well as put up a Thank You page on ufopub.com

I’m a few days behind where I had hoped to be at this stage but we’re still on track for a mid-November release of the book.