Publication: “Putting It All Together” At Nine Magazine

April 24, 2012

 

The inaugural issue of Nine: A Journal of Imaginative Fiction is now live and includes my flash story “Putting It All Together.” This is a story of a post-singularity “digital” human trying to recreate the original simulation, which was designed to look and feel like the real world.

Nine is an interesting new concept. Each issue will feature 9 stories, and each author will earn 9% royalty from the sale; the issues are sold directly on the Nine web site. So when you buy an issue (which is only $5) you’re directly supporting me and the other eight authors whose work was included.

 


Guest Post: “Dreams, Horses and the Little Story That Could” by Beth Cato

April 23, 2012

Today I’m pleased to feature a guest blog post by Beth Cato, the author of “Red Dust and Dancing Horses,” a SF tale  featured in the current issue of Stupefying Stories. Beth writes about perseverance and not giving up on the stories you believe in, and I wholeheartedly agree.

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Dreams, Horses, and the Little Story That Could

By Beth Cato

 

 

There’s something I’ve learned during the past few years. If you want to succeed as a writer, it’s not all about talent. It’s not about developing a thick skin. Rejections make you cry? Scream? Those are valid reactions sometimes. But what enables you to succeed is sheer stubbornness. You send the story out again.

Case in point: my story “Red Dust and Dancing Horses.”

From the time I wrote the rough draft, I knew this story was special. It hit me on a personal level. The tale is a horse story set on Mars, where horses can’t exist. It’s about a young Martian girl who has to accept that her deepest desire–to know horses–will likely never come true.

I was completely horse obsessed from the time I could walk and talk. I adored Rainbow Brite from age 3, but my biggest love was her horse, Starlite. I collected Breyer horses from age 4 (I wasn’t into My Little Ponies as much because they weren’t realistic enough). I read every horse book in the children’s section of the library, and if a new book came in the librarians told me. I knew the difference between a Shire and a Paso Fino, a forelock and a fetlock. My parents owned two acres of property, and I knew exactly where we could build a stable and corral. I took riding lessons. I knew exactly what my dream horse would look like and how his mane swayed in the breeze.

And at age 11, I finally had to accept that I would never have a horse.

I was mature enough to realize we were too poor. Money was tight. My riding lessons stopped as we couldn’t even afford the $10 for my riding lessons every two weeks. How could we afford a horse, or hay, or tack?

The dream died, but my love for horses didn’t.

That was the emotion I put into the story, only using a grittier Martian backdrop instead of a central Californian one. I posted the story on OWW. I revised heavily. I started sending it out to magazines. And this story I loved passionately was soundly rejected by almost every pro science fiction market.

Really, I could see why. It’s a horse story, on Mars. People don’t usually pair horses and sci fi, much less horses from old westerns. But it still hurt. This was a story that I felt was not only one of the best things I had written, but it was also a story I loved.

But I loved it so much, I kept gritting my teeth and sending it out again. It had some close calls. It won an honorable mention in Writers of the Future for the 4th quarter of 2011. But it still didn’t have a home, so I sent it out yet again.

You know what? It has a home now, an amazing one. This is what the editor of Stupefying Stories, Bruce Bethke, said in the forward for this March issue:

I’m about out of space now, but would be remiss if I did not call special attention… especially to my personal favorite in this entire collection, “Red Dust and Dancing Horses” by Beth Cato. If this story doesn’t wind up on several Best of 2012 lists and on the short list for at least one major award, I will be disappointed.

While querying agents, the big mantra is, ‘It only takes one yes.’ That’s true for short stories, too. “Red Dust and Dancing Horses” finally found its YES, and whatever happens from here, I’m happy, because the story finally found some other folks who love it just as much as I do.

The dream lives on.

“Red Dust and Dancing Horses” can be found in Stupefying Stories 1.5, on Amazon or Barnes & Noble.

 

 


Publication: “Hunger” in Title Goes Here Magazine, Volume 11

April 21, 2012

 

“Hunger” is the story of the last yeti, being hunted by the humans for the unforgivable crime of being too different. This one isn’t available to read online for free, but you can buy a printed issue or an e-book.

And if you’re getting a bit tired of my constant publication updates this month, I’ve got bad news for you: there are MORE on the way, likely to hit before the month is out. Mwahaha!

Seriously though, if someone told me 2 years ago that I would have four short stories published in a single week, I would have laughed in their face. Life is good.

 

 

 


Publication: “A Shard Glows in Brooklyn” at Buzzy Magazine

April 19, 2012

Of all the stories I’ve had published so far, this is my favorite.

Conrad Brent is special. He is among the small group of people (one in thirty thousand) who can See the world for what it really is.  There are wizards, and monsters, and even a giant troll underneath the Verrazano Bridge — deadly threats that an average citizen knows nothing about. Threats that are kept in check by the Watch — an ancient society which protects regular people from being taken advantage of by those with magic.

Conrad Brent is the Watch’s representative in Brooklyn, NY. When a powerful magic-enhancing shard of Atlantean crystal shows up in the borough, it is up to Brent to keep it out of the wrong hands. By whatever means necessary.

OK, given a little time and a medium cup of French Vanilla coffee, I could probably write a better blurb. But you get the idea. “Shard” is  the kind of urban fantasy I love to read, and want to write.

Conrad Brent is a wise-cracking, irreverent, morally complicated character and I love telling his stories. I’ve already written a second Brent tale, titled “Requiem for a Druid,” where our protagonist butts heads with New York’s most prominent real estate mogul who has a penchant for firing people. That second story is currently looking for a home — sadly there aren’t a lot of pro markets interested in light urban fantasy short stories.

I’m also in the very early stages of planning out my first novel. It will be–you guessed it–a Conrad Brent story.

So please head over to Buzzy Magazine, a brand-new pro venue which was kind enough to accept this story, and read “A Shard Glows in Brooklyn.”


Publication: “The Traveling Fair” at Every Day Fiction

April 18, 2012

This story was written for one of the Shock Totem contests. Every few months the horror/dark fiction magazine sponsors a contest where a prompt is provided and each author submits their story anonymously, to be judged by fellow entrants. I enjoy the process and try to participate whenever I can, and it often results in pretty good stories. “Spidersong” — my first SFWA sale — was another ST contest story. For “The Traveling Fair” the prompt was to write a story under 1000 words featuring a giant monster and fireworks.

Click  here to read The Traveling Fair at Every Day Fiction, and don’t forget to rate it!

 


Publication: A Brief Respite from Eternity at Stupefying Stories 1.5 (March 2012 issue)

April 14, 2012

 

The latest issue of Stupefying Stories went live today. It includes my SF flash “A Brief Respite from Eternity.” This is a story of tragic love, post-physical existence and the heat death of the universe. How’s that for under 1000 words?

Lots of other great stuff in this issue as well. It’s well worth the $2 price tag. Please support an excellent fledgling publicaiton. Pick up a copy on Amazon or see the official blog for links to other e-book options.


“Seven Conversations in Locked Rooms” YouTube trailer

April 11, 2012

Check out the awesome YouTube trailer produced for my upcoming  story:

 

Special thanks to Justin Swapp for designing and producing promos for this and other stories included in The Memory Eater anthology.


“Seven Conversations in Locked Rooms” accepted at The Memory Eater anthology

April 10, 2012

 

Yay for second chances!

Last year I wrote and submitted a story called “The Take” to The Memory Eater anthology. The concept of anthology revolves around the device known as the Memory Eater. This technology is capable of deleting specific memories from one’s brain. Who would use such a device and for what purpose? There are many different stories that can be told based on this prompt.

“The Take” made it all the way into the final round of consideration but was ultimately rejected (although the editor told me it was a close call). I edited out the Memory Eater references and sent it to Daily Science Fiction, where it was accepted and published recently.

At some point in the editorial process, C.P. discovered that he had room for one more tale. So he reached out to me, asking if I would like to take another stab at the prompt. The catch? Whatever story I wrote had to match up with an illustration he had already acquired for use in the anthology. I was up to the challenge, and a few weeks later “Seven Conversations in Locked Rooms” was born. It’s a 1600-word SF story of a man willing to pay a tremendous price in order *not* to have his memories removed via the Memory Eater.

Want to know more? Pick up a copy of this anthology next month. Better yet, you can support their Kickstarter campaign, which is going on right now.

 


Night and Day

April 6, 2012

I’ve always been a night owl. From an early age I found myself to be at my most productive and creative in the evening hours. When I started writing, I fell into a routine where I got most of my new words output done at night, after my wife and son went to sleep and the house became quiet and distraction-free. Some nights I would be too tired to write–exhausted by the day job or various chores that needed doing. Writing being a hobby rather than a career for me, I accepted this loss of productivity and tried my best to make up for it on other evenings, when I had a bit more energy to spare.

Then my wife switched jobs.

She started at the new place two weeks ago. Her new office is very far away, and it takes her nearly two hours to commute there.  This means that she has to leave the house very early, before our son’s day care opens. So now I have to get up early every morning, get Josh ready and drive him to day care. No more sleeping in till 9-10am. And those late-night writing sessions? Forget about it. By midnight my brain feels like a squeezed out sponge.

So, driven by necessity, I fell into new routine. After dropping my son off at day care I get a bit of breakfast and have several uninterrupted, quiet hours in which to write. (I don’t have to be at work till noon). The difference has been night and day–pun very much intended. I am able to attack whatever story idea I’m working on while rested, fresh, and properly caffeinated.  Words are flowing more easily and quality of the output appears to have improved (says the guy who’s notoriously bad at evaluating his own writing).

In the last two weeks I wrote three complete stories from scratch. And although they’re relatively short, none of them are mere flash length, either. There’s a magical realism story I’m especially proud of called “Things We Left Behind” (2500 words) that draws heavily on my personal experiences of uprooting and moving from the Soviet Union to the United States. A 1350 word space opera-ish “The Miracle on Tau Prime” is about the Vatican miracle investigators. In space. And yesterday I wrote a 1500 word SF story “Seven Conversations in Locked Rooms,” completing the first draft in one sitting. One sitting! Normally I struggle to write 500 new words of fiction per day.

I’m liking this new productivity. Well, scratch that. I’m still a night owl at heart. I hate getting up early and going to bed on old people’s time. What I do like are the results.

Could something as simple as a routine change ultimately take me to the next level in terms of both quality and quantity on my writing? Only time will tell. But it’s certainly an intriguing possibility.


2012 Submission Statistics: Three Months In

April 1, 2012

March was an excellent month for me. I sold three new stories (to Nature, Nine, and-just yesterday- to Every Day Fiction), wrote a lot of words I’m happy with, and kept up with my submission, aggressively getting my steadily-increasing inventory of short fiction out there.  The three-month mark seemed like a good time to look over my statistics, and this is what my spreadsheet tells me:

Stories on submission currently (including reprints): 19
Stories still on submission from 2011: 2 (both reprints)
Stories waiting to be re-submitted: 3
Total inventory of original finished but unsold short stories: 17
Total stories sold in 2012: 6 (3 of which were submitted in 2012, the rest in late 2011)
Total 2012 submissions: 73

April is looking to be the month where  a huge chunk of my previously sold stories will finally see the light of day. By my estimation as many as seven of my ‘forthcoming’ stories will go live in the next month. I can’t wait for everyone to read some of them, especially “A Shard Glows in Brooklyn” which is forthcoming in the second issue of Buzzy Magazine.