My 2013 BaltiCon Schedule

May 21, 2013

 

I am going to spend four fun and very busy days at BaltiCon this weekend. My schedule is full of fantastic events, panels, and even an author gala. Here’s where I’ll be:

 

W-4 Broadening Horizons
Friday, 4pm, Salon C (50 minutes)
Moderator: Joy Ward
Panelists: Alex Shvartsman, Walt Boyes
How can writers reach potential readers outside of their immediate science fiction markets?

Author Gala
Friday, 5pm, Con Suite (2 hours)
Meet and greet with over 20 SFWA authors, including BaltiCon guest of honor Joe Haldeman

LE-4 Editor’s Pet Peeves
Saturday, 9am, Salon C (50 minutes)
Moderator: Michael A.Ventrella
Panelists: Danielle Ackley-McPhail, Alex Shvartsman, Leona Wisoker, Walt Boyes
A head’s up for writers on what editors don’t like to see or deal with from their authors. Headaches they’ve encountered in publishing.

G-5 Portable/Pocket Games
Saturday, 1pm, Parlor 1041 (50 minutes)
Moderator: Donna Dearborn;
Panelists: Eric Hymowitz, Alex Shvartsman, Krystina Lynch
All about games for entertainment anywhere!

P-11 Saturday, 10pm, Salon B (50 minutes)
Moderator: Alex Shvartsman
Panelists: Christine Norris , Eric V. Hardenbrook
A discussion about new magazine s that have come and gone, new zines that seem to have staying power, and short-lived publishing houses.

W-17 Writing, Selling and Publishing Humorous SF/F Fiction
Sunday, 9am, Salon B (50 minutes)
Moderator: Alex Shvartsman
Panelists: Stephanie Burke, Collin Earl, Phil Giunta, Sarah Pinsker
Panelist discuss how writing humor differs from “straight stuff”, both in the writing process and in the submission/marketing process.

P-10 From Slush to sale
Sunday, 1pm, Salon B (50 minutes)
Moderator: Sarah Pinsker;
Panelists: Scott H. Andrews, Damien Walters Grintalis, Alex Shvartsman, Christine Norris, Hildy Silverman
A detailed discussion on every aspect of the process of creating and publishing a professional and semi-pro magazine.

G-12. You Have Gaming in My Fiction
Sunday, 2:30 PM, Parlor 1041 (1 hour, 20 minutes)
Moderator: Neal Levin;
Panelists: Mike McPhail, Alex Shvartsman, Michael A. Ventrella, Jagi Lamplighter, Jon Sprunk
All about how to write media tie-in fiction for games

BL-2 The Dark Quest Books Mega-Launch
Sunday, 7pm, Frankie & Vinnies
Dark Quest Books launches their Spring 2013 titles with guest editors and authors:
Danielle Ackley-McPhail (“The Eternal Cycle”), Danny Birt, Jack Campbell (“The Lost Fleet series”), Myke Cole, Judi Fleming, Charles E. Gannon, Elektra Hammond, Eric V. Hardenbrook,
C.J. Henderson (“Teddy London”), Mike McPhail) , Bernie Mojzes, Christine Norris, KT Pinto, James Daniel Ross (“Radiation Angels”), Alex Shvartsman, Maria V. Snyder, Jim Stratton, Patrick Thomas (“Murphy’s Lore”, Robert E. Waters, and John C. Wright (“Chronicles of Chaos”), Jeff Young

R-47 Plotters vs Pantsers
Monday, 10am, Parlor 1041 (50 minutes)
Moderator: Michael A. Ventrella
Panelists: Jack Campbell (Hemry), Doc Coleman, Kat Otis, Jennifer Povey, Alex Shvartsman, Leona Wisoker
Do You Plan your Story or Write by the seat of your Pants? Panelists share the quirks and foibles of their working method with
readers. A Round Table discussion.

R-42 Is Science Fiction Giving Up on the Future
Monday, 11am, Salon B (50 minutes)
Moderator: Carl Cipra
Panelists: Michael D’Ambrosio, Darrell Schweitzer, Alex Shvartsmaon, Eric V. Hardenbrook
It seems ironic, in a time of such technical progress, and when we are confirming that the galaxy really does contain billions of planets, but a lot of science fiction seems to turn away from the future, as if, post-Singularity, it will be impossible to describe. Are alternate history and steampunk merely symptoms of a more general evasion of the future?

There are many other exciting panels and events at this excellent convention. You can download the complete listing here.


UFO2 Submissions Update – May 17

May 17, 2013

ufo1

We read just over 350 submissions to date.  Everyone who submitted prior to 5/12 should have heard from us by now. If you haven’t, please query ASAP.

I accepted seven stories so far, totaling 35,000 words. There are three more invited headliners who haven’t turned in their stories yet (they aren’t late; they have two more weeks) so that’s up to 18,000 more words. That means the competition for the remaining space in the book is going to be very, very tough. We are holding on to nine more stories in the final round of consideration so far, and more are sure to be added to that list. Already had to turn down some truly excellent stories and there’s a long road to travel yet.

Any reasonably good anthology, magazine issue, or contest gets far more quality submissions than they can use. It’s the nature of our field — supply always greatly outpaces demand. So if you got a rejection from us, or from anyplace else, please don’t take it personally. The editors aren’t merely looking for a good story — they’re looking for stories they can fall in love with. And that’s a very tough act to pull off, especially since tastes are highly subjective. Just keep sending it out there, until the story finds the editor who will think it’s perfect.

 

 


It Came from the Slush Pile

May 6, 2013

It was only yesterday that I wrote a blog post about the UFO slush pile and had this to say:

This doesn’t mean that you can’t sell us a zombie reality TV story about a road trip in space. But it won’t be easy.

Challenge accepted! Less than 24 hours later, this story showed up in the UFO inbox.

Unfortunately I can’t include it in UFO2. A certain level of familiarity with the slush process is necessary to appreciate it. And reading the previous blog post is a must for an even better experience. But I thought it would make a perfect blog post, and also serve as a warning to all those who would submit real zombie/alien/reality TV stories to our slush pile, or any other. So I offered to buy the non-exclusive rights to post the story on this blog.

This is the author’s first story sale, and I’m thrilled to be a part of that.

Without further ado, presenting

alien

IT CAME FROM THE SLUSH PILE

By Rachel Winchester

“Thank you for seeing me on such short notice, Dr. Rostrum.  It’s hard to find a psychiatrist who’s taking on new patie… — of course, I can call you Bob. No problem.

“But, this gets a little personal, and if I could call you Doc– right, yes, I guess you’re used to hearing personal stuff. OK. Bob it is.

“Right, 50 minutes. So…it all began when I was reading submissions for a short story anthology. Science fiction stuff, supposed to be funny. You wouldn’t think there would be that many people willing to put in that kind of work for a shot at $100 or so, but there were thousands of submissions.

“I drank coffee and read manuscripts and drank more coffee and read more manuscripts until my eyelids felt like thresher blades and my eyeballs throbbed with each of their harvesting passes. I divided the stories into piles: FUNNY and NOT FUNNY. Then, to my horror, I realized I had to add another pile.

“ZOMBIES.

“I mean, I like some zombie movies, but I don’t get why they’re a thing, you know? They’ve got to be a symbol for something. Maybe because no one owns zombies. I mean, Lucas, or I guess Disney, isn’t going to sue anyone over zombies.

“And the submissions kept coming. Story after unfunny story about zombies, Bob. ‘I Was Married to a Zombie’, ‘Road Trip with a Zombie’, ‘We Can Zombie It For You Wholesale’, and ‘Do Zombies Dream of Electric Brains.’ And the worst part, Bob?  The absolute. Worst. Part? The zombie stories with bonus-gratuitous-rape.

“It was a veritable Penthouse Forum for Zombies.

“But I’d promised the editor I’d read them all. I didn’t even consider stopping.

“Then I got one in Comic Sans.

“What? No, I’m okay, I’m good…it’s just that…thinking about that font…I can see it…and…

“I’m good, seriously. Right here. Right here on the couch, Bob. See? Breathing normally. But thank you for the water. I think I’m ready to continue.

“Yes, there’s more. I know, you’d think it couldn’t get any worse than Com…that font. But it did. It did.

“Something about seeing a manuscript sent in looking like second-grade teacher’s syllabus jerked me awake, that’s the only way I can explain it. It made me realize how completely irrational it was to be living on coffee and Luna bars, reading slush. It made me realize that I’d been a total bitch to my partner every time she came in to suggest I take a shower or change my clothes. It made me realize that in the background, I’d been vaguely aware she was talking to a camera crew in the other room. About me.

“I know, I know, it sounds like paranoid delusions. But trust me, it wasn’t. It was much worse. You see, I realized then that I was on a reality show.

“Something called True Lives of Starving Writers. They were inter-cutting shots of authors slaving over pirated copies of Scrivener on refurbed laptops, voiceovers about how one guy had to switch to generic beer because he couldn’t afford MGD anymore, not until some magazine accepts his zombie porn story. Then they’d show me just shredding the submissions, and, God, they would even show my relationship coming apart. As you probably know, Bob, my partner had been telling the viewing audience about how she was trapped in this totally loveless marriage.

“I was mortified. I would never…I mean, sometimes I get into my writing, but I never thought I’d cut into our time together, and certainly not for slush.

“Also, and I have to explain this, the inner workings of the slush pile are sacrosanct. I’m doing this to pay my dues too, and learn from the submissions to make me a better writer. I would never go on a reality show and talk about it. And Darla…Darla would never go on one either.

“That’s when I knew something was really wrong. I knew it like I knew the sensation in my a–… my posterior–wasn’t from too much coffee and Luna bars. And I know you’re going to think I’m crazy, but–

“Heh, yeah, I guess you would hear that a lot, Bob. But really, the pain in my…posterior, what I thought was the pain of reading a story with too many zombies and a vampire thrown in for good measure? That pain was actually a probe. An alien anal probe.

“Aliens had kidnapped me, beamed me up, and were making me believe I was on a reality TV show about science fiction writers, and they were doing it because they were on a road trip and they were bored.

“You got that, Bob? I was a goddamn travel game some alien teenagers had picked up during a road trip pit stop on Earth.

“As I realized my plight, a gizmo on the aliens’ space-van dashboard started to beep. It got louder and louder…the aliens started to run around the van, tentacles flailing over their heads.  But I knew that sound. I sat straight up in bed, my alarm clock beeping at top volume. I was in my own bed, and whole thing was a dream!

“But, Bob…waiting for me, on the desk in the corner, were all those unread submissions.  And there, on the floor next to the desk, were three piles of manuscripts:  FUNNY, UNFUNNY…and ZOMBIES.

 END

Rachel Winchester (@RaqWinchester) was born in Roswell, NM, and believes her love for science fiction was inevitable.  She has lived and worked around the world, including in Bucharest, Kuala Lumpur, Sana’a, Athens, Caracas, and Los Angeles. She now works as a government consultant.  This is her first story sale.


UFO2 Submissions Update

May 5, 2013

ufo1

First of all, thanks again to everyone who pledged and promoted our Kickstarter campaign. We are fully funded and are able to produce the book in the fashion we wanted to, without cutting corners!

We received around 150 submissions in the first four days of May. The associate editors and I have been reading furiously to try and make sure that we respond very quickly and don’t hold anyone’s story hostage unless we’re seriously considering it for inclusion. As of right now, everyone who submitted on or before May 2 should have heard from us, either with a rejection or a round 2 bump. If you did not receive a response to your story submitted prior to May 3, please query us.

Here is a brief list of things we’re seeing too much  of among the submissions:

- Stories with contact info and byline still intact. I have to manually remove them before sending them over to the readers for anonymous consideration. This makes me sad.

- Zombies

- Stories that aren’t funny in any way, shape or form. We’re not sure why they were sent to us instead of a venue that isn’t seeking humor.

- Zombies

- Cliche aliens, usually with some sort of probing thrown in

- Reality TV stories

- Zombies

- Vampires

- Road trips complete with every road trip cliche, except they’re space road trips in space. Usually with a pit stop on Earth.

- Zombies

This doesn’t mean that you can’t sell us a zombie reality TV story about a road trip in space. But it won’t be easy.  When I see the word ‘zombie’ in a submission my eye begins to twitch, I extend my arms and walk around the office for a while moaning “rejeeeeect” — so you have to overcome that. Good luck.

Things that I would like to see more of:

- Unusual settings and scenarios. There are only so many times I can read a story about mythological gods in modern setting or aliens landing in rural America. Surprise me!

- Stories from international authors. We are actually doing quite good with that, so far. We have received stories from all over the world, and want more! Keep in mind that, while we are not considering reprints, we’ll make an exception for stories that were published in another language, as long as they have not been previously published in English.

- Art. We still need a cover artist/designer and possibly interior artists. While I am talking to a couple of people, we haven’t settled on anyone yet — send me a link to your portfolio soon if you wish to be considered!

 

 


UFO2 Kickstarter Campaign Ending Soon

May 2, 2013

Just over four hours remaining in the UFO2 Kickstarter campaign. We raised nearly $6500 so far, with $1500 to go! Over 200 people backed this project already, and if you haven’t yet, please do, and help us reach our goal.

I added my short story ebooks as an extra reward for everyone who pledges $25 or more. So, on top of the signed copy of UFO2 (or whatever else you select), you will get $5+ worth of eBooks (everything I release in 2013). This is the preview of the cover for the ebook version of “A Shard Glows in Brooklyn,” which I will release as an e-book along with “Requiem for a Druid” in early June:

shard

I should also add that we received around 100 submissions in the last 36 hours! Associate editors and I are reading furiously and will begin sending out responses in another day or two.

So please pledge to the UFO2 campaign and spread the word of it to others!

 


UFO2 Submissions Open Tonight

April 30, 2013

ufo2

The submissions are opening tonight for the UFO2 anthology and will remain open throughout the month of May. Please read the guidelines here and feel free to submit when ready (yes, a few hours early is OK.)

I would also like to remind everyone that the UFO2 Kickstarter campaign has entered its final 48-hour stretch. At this point we still need to raise nearly $3,000 in order to be funded. The anthology will be published regardless, but our level of success on Kickstarter will determine the overall volume of fiction I can buy for this book, whether I can afford to buy additional content for the web site, whether I can afford to pay for the highest-quality copy-editing and book design services…  In short, I need the extra funds to make UFO the best possible book I can produce.

Please consider pre-ordering your copy via Kickstarter as well as spreading the word about it to anyone who might possibly be interested in the next two days. Thank you!

Click here to view the UFO2 Kickstarter page.

 

 


UFO2 Kickstarter is live

April 2, 2013

Unidentified Funny Objects 2 is coming to the bookshelf near you this September!

I already have stories from Robert Silverberg, Mike Resnick and Ken Liu. In addition, Esther Friesner, Jody Lynn Nye, and Tim Pratt agreed to contribute stories to this volume. And we hope to announce several more headliners this month.

Meanwhile, I can really use everyone’s help. Funding a quality anthology is *expensive*. It cost about $15,000 to create and print the original UFO book. I think I can keep these costs down to under $12,000 this time around, but it’s still a lot of money. So I went back to Kickstarter in order to help cover some of these costs. If you enjoyed the first book, or simply think the idea of an annual humor SF/F anthology is a good one and it’s something that should exist in the world, please consider supporting this project on Kickstarter.

Also, please help spread the word. The more money I can raise this month, the more cool stuff I’ll be able to do for this book and for the UFO web site.  I will blog lots more about this project, but for now the text of the Kickstarter campaign should cover most of the basics. Check it out!


Hugo Noms and Adventures in Self Publishing

March 30, 2013

The Hugo Awards nominations were announced earlier today, and there is some great reading material on that list (and a number of things I haven’t yet read as well). The complete list of nominated works and publications is posted here.

I was especially pleased to see John Scazi’s “Redshirts” on the list, which I enjoyed and which was on my Nebula ballot but did not make the final cut there. I was disappointed not to see Ken Liu’s “The Waves” which remains the best thing I’ve read in 2012, but Ken is on the ballot with the excellent “Mono No Aware,” one of only three short stories to make the ballot this year.

And, of course, I’m disappointed not to have made the Campbell ballot. I never felt like I had a great shot, but a number of fellow writers and editors told me that I was on their ballots, and so I allowed myself to hope, at least a little. And even though I didn’t make it, those nominations mean a great deal to me, and I thank those of you who made room for me on your ballots from the bottom of my heart.

The Dragon Ships of Tycho

At the beginning of the month I made my first foray into the world of self-publishing.  I chose 3 stories that are sufficiently similar in length, style and content, and made each of them available on the Kindle for $0.99 each. At the end of each story there are plugs and pictures of the cover for the other two. I figured that the readers who bought one and liked it, would then snap up the other two. I didn’t know what to expect in terms of sales, but figured that the numbers — good or bad — would be similar across the three stories. Boy, was I wrong.

Here are the actual sales of the three stories, between March 5 and March 30, according to Amazon:

A Better Tomorrow – 1 sale

Price of Allegiance – 3 sales

The Dragon Ships of Tycho – 36 sales (35 in the US and 1 in France)

I dearly wish I knew what set “Dragon Ships” apart from the other two stories, so I could figure out a way to replicate its success. Is it a more evocative name? A more engaging description of the story? Something else entirely? Or just blind luck?

My next step is to try other venues. Last night I uploaded the stories to B&N, Kobo, and Smashwords. My experience with UFO suggests that the sales in those venues are tiny compared to Amazon. but I’m very curious to see if “Dragon Ships” will continue to outperform the other two stories across platforms.

 


The Great Short Story Ebook Experiment

March 8, 2013

I finally did it — I took several of my previously published short stories and made them available as e-books. They’re currently up on Amazon and over the next few days I’ll be making them available on B&N, Kobo, and Smashwords.
I made the plunge for several reasons:

* New readers. There are tons and tons of people out there who enjoy and buy e-books (including short stories) on places like Amazon, but aren’t an active part of SF/F fandom and aren’t even aware of some of the fine magazines and anthologies these stories appeared in originally. An optimal scenario for me is to have someone who’s never heard of me before buy an e-book, love it, pick up the other ones, and then come over to this page to see what else I’m up to.

* The skills. After working on this project, on and off, for the last month I have learned several things. I have a very rudimentary understanding of how to create a book cover and how GiMP works. I learned how to create a digital book from scratch. I learned how to format it properly for various e-readers and platforms. These are all skills that will likely come in handy as I work on future UFO Publishing projects (though I’d still much rather let professional cover artists and book designers create THOSE books, at least I can understand some of what they’re doing better).

* The data. I want to know as much as possible about the business. What sort of sales can I, as an author, generate on each platform? Which promotions and advertising works, and which doesn’t? Posting a few short stories is a low-budget way to tip the toe in the self-publishing waters and see what’s up.

* The money. Seriously, I don’t expect much. Each of these stories is priced at $0.99 and when one sells, Amazon will give me $0.35 of it. So I won’t be putting my kid through college off these short story sales. Probably. But… who knows, right? What is one of these goes viral? Once the e-book has been created and uploaded, there is no more cost to keeping it online indefinitely — in either time or money. Even before I had the chance to write this post and “officially” announce the existence of these particular e-books, several people bought “The Dragon Ships of Tycho.” At this rate I’m getting dangerously close to earning enough for a medium coffee from Dunkin Donuts.

I’m no expert on self-publishing, but I did have several ideas in mind that I hope will help make these e-books successful (besides writing the best possible stories I can, of course):

* Offer a well-edited, well-formatted, easy to read book. You’ll be surprised at how many self-published books (novels, even) are poorly edited and poorly formatted. I spent a fair amount of time making sure this wasn’t the case with my stories.

* Offer more to read. I intentionally waited until I could publish several stories at once that stand a good chance of appealing to similar readers. This way, should a reader happen to enjoy the story, there’s something else they can pick up right away. Each of these stories features a little ad for the other two at the end of the book.

* Great cover art. I can’t stress how important this is. There are so many self-published and small publisher books out there with mediocre covers. I really wanted my stories to stand out and spent a lot of time looking for perfect pieces for each story. I was fortunate enough to team up with several amazing artists from around the globe. The art is theirs. The layout (in 2 of 3 cases) is mine — so don’t blame them for it!

Without further ado, here are the three stories:

The Dragon Ships of Tycho

Human diplomats race against the clock to forge an alliance with a one-time adversary who possesses a fleet of dragon warships.

Originally from the Galactic Creatures anthology edited by Elektra Hammond (Sparkito Press/Dark Quest Books)

Cover art is “Space One” by the British artist Andy Fairhurst.

Price of Allegiance

Earth’s ambassador to the Galactic Union wants his superiors to choose loyalty over technological advancement. But, when it comes to the interstellar politics, the choices are never what they seem.

Originally from Penumbra magazine (Musa Publishing)

Cover art is by the French artist Benoit Dromby

A Better Tomorrow

On a crippled spaceship, as the air is running out, one man must fight to protect the cryogenically frozen colonists, even at the cost of his own life.

Originally published in Interstellar Ficiton magazine.

Cover art and cover design by American artist Aimee Cozza

Unlike the other two stories, A Better Tomorrow is available online for free. You can read it here. So why publish an e-book, you ask? It’s all part of the experiment. As I wrote above, there are many people browsing and buying on the Kinde, Nook, and other devices who are not familiar with web zines, and I’m curious to see how the sales of this book will compare to the sales of the other two, which are not available online for free.

So there you have it. Let the experiment officially begin!

If you want to pick up one of these e-books or if you already read these stories and would like to do me a kindness of posting a brief review, please follow the links below:

The Dragon Ships of Tycho

Price of Allegiance

A Better Tomorrow

I will post the links to other sites once these books become available on there.

 


“Spidersong” at Drabblecast

February 11, 2013

drabblecast_271

 

“Spidersong” was my first SFWA-qualifying sale and remains one of my stronger flash stories written to date. It’s been a busy week for this little story. First it was reprinted in the anthology of Campbell Qualified authors (see previous post), and today it’s live at Drabblecast!

They do an amazing job, making the story sound awesome and creepy at the same time. It’s also really cool that “Spidersong” got the cover treatment! (It’s one of three flash stories in this week’ s edition).

 


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