Publication: “Hunger” in Title Goes Here Magazine, Volume 11

April 21, 2012

 

“Hunger” is the story of the last yeti, being hunted by the humans for the unforgivable crime of being too different. This one isn’t available to read online for free, but you can buy a printed issue or an e-book.

And if you’re getting a bit tired of my constant publication updates this month, I’ve got bad news for you: there are MORE on the way, likely to hit before the month is out. Mwahaha!

Seriously though, if someone told me 2 years ago that I would have four short stories published in a single week, I would have laughed in their face. Life is good.

 

 

 


Publication: “A Shard Glows in Brooklyn” at Buzzy Magazine

April 19, 2012

Of all the stories I’ve had published so far, this is my favorite.

Conrad Brent is special. He is among the small group of people (one in thirty thousand) who can See the world for what it really is.  There are wizards, and monsters, and even a giant troll underneath the Verrazano Bridge — deadly threats that an average citizen knows nothing about. Threats that are kept in check by the Watch — an ancient society which protects regular people from being taken advantage of by those with magic.

Conrad Brent is the Watch’s representative in Brooklyn, NY. When a powerful magic-enhancing shard of Atlantean crystal shows up in the borough, it is up to Brent to keep it out of the wrong hands. By whatever means necessary.

OK, given a little time and a medium cup of French Vanilla coffee, I could probably write a better blurb. But you get the idea. “Shard” is  the kind of urban fantasy I love to read, and want to write.

Conrad Brent is a wise-cracking, irreverent, morally complicated character and I love telling his stories. I’ve already written a second Brent tale, titled “Requiem for a Druid,” where our protagonist butts heads with New York’s most prominent real estate mogul who has a penchant for firing people. That second story is currently looking for a home — sadly there aren’t a lot of pro markets interested in light urban fantasy short stories.

I’m also in the very early stages of planning out my first novel. It will be–you guessed it–a Conrad Brent story.

So please head over to Buzzy Magazine, a brand-new pro venue which was kind enough to accept this story, and read “A Shard Glows in Brooklyn.”


Publication: “The Traveling Fair” at Every Day Fiction

April 18, 2012

This story was written for one of the Shock Totem contests. Every few months the horror/dark fiction magazine sponsors a contest where a prompt is provided and each author submits their story anonymously, to be judged by fellow entrants. I enjoy the process and try to participate whenever I can, and it often results in pretty good stories. “Spidersong” — my first SFWA sale — was another ST contest story. For “The Traveling Fair” the prompt was to write a story under 1000 words featuring a giant monster and fireworks.

Click  here to read The Traveling Fair at Every Day Fiction, and don’t forget to rate it!

 


Publication: A Brief Respite from Eternity at Stupefying Stories 1.5 (March 2012 issue)

April 14, 2012

 

The latest issue of Stupefying Stories went live today. It includes my SF flash “A Brief Respite from Eternity.” This is a story of tragic love, post-physical existence and the heat death of the universe. How’s that for under 1000 words?

Lots of other great stuff in this issue as well. It’s well worth the $2 price tag. Please support an excellent fledgling publicaiton. Pick up a copy on Amazon or see the official blog for links to other e-book options.


“Seven Conversations in Locked Rooms” YouTube trailer

April 11, 2012

Check out the awesome YouTube trailer produced for my upcoming  story:

 

Special thanks to Justin Swapp for designing and producing promos for this and other stories included in The Memory Eater anthology.


“Seven Conversations in Locked Rooms” accepted at The Memory Eater anthology

April 10, 2012

 

Yay for second chances!

Last year I wrote and submitted a story called “The Take” to The Memory Eater anthology. The concept of anthology revolves around the device known as the Memory Eater. This technology is capable of deleting specific memories from one’s brain. Who would use such a device and for what purpose? There are many different stories that can be told based on this prompt.

“The Take” made it all the way into the final round of consideration but was ultimately rejected (although the editor told me it was a close call). I edited out the Memory Eater references and sent it to Daily Science Fiction, where it was accepted and published recently.

At some point in the editorial process, C.P. discovered that he had room for one more tale. So he reached out to me, asking if I would like to take another stab at the prompt. The catch? Whatever story I wrote had to match up with an illustration he had already acquired for use in the anthology. I was up to the challenge, and a few weeks later “Seven Conversations in Locked Rooms” was born. It’s a 1600-word SF story of a man willing to pay a tremendous price in order *not* to have his memories removed via the Memory Eater.

Want to know more? Pick up a copy of this anthology next month. Better yet, you can support their Kickstarter campaign, which is going on right now.

 


Night and Day

April 6, 2012

I’ve always been a night owl. From an early age I found myself to be at my most productive and creative in the evening hours. When I started writing, I fell into a routine where I got most of my new words output done at night, after my wife and son went to sleep and the house became quiet and distraction-free. Some nights I would be too tired to write–exhausted by the day job or various chores that needed doing. Writing being a hobby rather than a career for me, I accepted this loss of productivity and tried my best to make up for it on other evenings, when I had a bit more energy to spare.

Then my wife switched jobs.

She started at the new place two weeks ago. Her new office is very far away, and it takes her nearly two hours to commute there.  This means that she has to leave the house very early, before our son’s day care opens. So now I have to get up early every morning, get Josh ready and drive him to day care. No more sleeping in till 9-10am. And those late-night writing sessions? Forget about it. By midnight my brain feels like a squeezed out sponge.

So, driven by necessity, I fell into new routine. After dropping my son off at day care I get a bit of breakfast and have several uninterrupted, quiet hours in which to write. (I don’t have to be at work till noon). The difference has been night and day–pun very much intended. I am able to attack whatever story idea I’m working on while rested, fresh, and properly caffeinated.  Words are flowing more easily and quality of the output appears to have improved (says the guy who’s notoriously bad at evaluating his own writing).

In the last two weeks I wrote three complete stories from scratch. And although they’re relatively short, none of them are mere flash length, either. There’s a magical realism story I’m especially proud of called “Things We Left Behind” (2500 words) that draws heavily on my personal experiences of uprooting and moving from the Soviet Union to the United States. A 1350 word space opera-ish “The Miracle on Tau Prime” is about the Vatican miracle investigators. In space. And yesterday I wrote a 1500 word SF story “Seven Conversations in Locked Rooms,” completing the first draft in one sitting. One sitting! Normally I struggle to write 500 new words of fiction per day.

I’m liking this new productivity. Well, scratch that. I’m still a night owl at heart. I hate getting up early and going to bed on old people’s time. What I do like are the results.

Could something as simple as a routine change ultimately take me to the next level in terms of both quality and quantity on my writing? Only time will tell. But it’s certainly an intriguing possibility.


2012 Submission Statistics: Three Months In

April 1, 2012

March was an excellent month for me. I sold three new stories (to Nature, Nine, and-just yesterday- to Every Day Fiction), wrote a lot of words I’m happy with, and kept up with my submission, aggressively getting my steadily-increasing inventory of short fiction out there.  The three-month mark seemed like a good time to look over my statistics, and this is what my spreadsheet tells me:

Stories on submission currently (including reprints): 19
Stories still on submission from 2011: 2 (both reprints)
Stories waiting to be re-submitted: 3
Total inventory of original finished but unsold short stories: 17
Total stories sold in 2012: 6 (3 of which were submitted in 2012, the rest in late 2011)
Total 2012 submissions: 73

April is looking to be the month where  a huge chunk of my previously sold stories will finally see the light of day. By my estimation as many as seven of my ‘forthcoming’ stories will go live in the next month. I can’t wait for everyone to read some of them, especially “A Shard Glows in Brooklyn” which is forthcoming in the second issue of Buzzy Magazine.


Awesome Rejections

March 30, 2012

One of the most important skills to being a writer is the ability to deal with rejection. Understanding that  an editor choosing to pass on your work is not personal, and that you will receive a lot more rejection slips than acceptance letters.

Every publication deals with rejections differently. The most common are form rejections. You get a very generalized note that looks something like this:

Dear Author,

Thank you for sending us “Story Title Here.” Unfortunately have have decided not to publish it. Please feel free to submit more of your work to us in the future.

The Editors.

Or some variation of above. It’s short, impersonal and to the point–but it gets the job done.  Some markets will offer small bits of personalized feedback in order to offer encouragement or–better yet–let the writer know about some specific flaw in their story that contributed to its rejection.

But who says rejections have to be boring? There’s a way to inject humor, originality and outright strangeness into the mix!

Consider the famous Rolling Stones rejection sent by Hunter S. Thompson in 1971 (warning: do not click on this link if you’re easily offended by profanity). Had I been on the receiving end of this I would be framing that thing up on my wall. I should probably do that anyway, and look at it any time I get a rejection of my own. I think it’d make me feel better.

Then there’s this poetic rejection, riffing off W.C. Williams:

This is just to say we have taken some plums

we found in our mailbox.

You were hoping it would be

yours. Forgive us,

others seemed

sweeter

or colder

more bold

or whatever.

Again, this is a “make your day a little brighter” kind of bit, at least when you’re seeing it for the first time.

But my favorite form rejection (and the one that prompted me to write this blog post) is one not being used by any magazine or anthology. It is a hypothetical rejection letter written by a friend and fellow New York SF writer Anatoly Belilovsky.  If I’m ever in position of some editorial authority, I hope to make use of the following, at least once:

Your stories soar like birds,

I wish I could acquire ‘em,

but I seek only words

fit for an aquarium.

 

 


New Sales & A Milestone Achieved

March 24, 2012

I have a couple of recent sales to report.

A new publication titled “Nine” picked up my post-singularity flash story “Putting It All Together” for their inaugural issue. “Nine” has an ambitious concept – they will buy 9 short stories per issue and pay each author a royalty of 9% of gross sales. There’s also an advance against royalties, so authors are paid something for their work regardless of the publication’s success.

Issue 1 lineup has been announced and features stories by such notables as Ken Liu and Peter Swanson, among others. It will be available for sale in April and I can’t wait to see how their business plan pans out.

Yesterday I also found out that Nature magazine will be publishing “Ravages of Time” in their Futures section. This is very exciting for a number of reasons.

First of all, Nature has, by far, the largest circulation of any publication that has published me so far, online or in print. It is a highly respectable print publication, that will not only print my story with awesome original artwork created just for it in their magazine, but will also post it online and likely podcast it as well. Finally, this marks my third SFWA-qualifying sale, which means I will be able to upgrade my SFWA membership from Associate to Active, definitely an item straight off of my bucket list.

And to make it even more exciting, the voting deadline for the Nebula awards is March 30 — so I may yet get to vote this year, depending on how quickly my membership upgrade is processed.

 


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