Non-fiction Wednesday

May 22, 2013
Artwork by Andres Mossa

Artwork by Andres Mossa

I have two small non-fiction write-ups out at some highly prestigious places today.

First up are the story notes for Explaining Cthulhu to Grandma which I wrote for the IGMS blog.

And second is another SF Signal Mind Meld where a plethora of science fiction authors are asked their opinion about the literary appeal of gods, goddesses, and myths.

 

 


My 2013 BaltiCon Schedule

May 21, 2013

 

I am going to spend four fun and very busy days at BaltiCon this weekend. My schedule is full of fantastic events, panels, and even an author gala. Here’s where I’ll be:

 

W-4 Broadening Horizons
Friday, 4pm, Salon C (50 minutes)
Moderator: Joy Ward
Panelists: Alex Shvartsman, Walt Boyes
How can writers reach potential readers outside of their immediate science fiction markets?

Author Gala
Friday, 5pm, Con Suite (2 hours)
Meet and greet with over 20 SFWA authors, including BaltiCon guest of honor Joe Haldeman

LE-4 Editor’s Pet Peeves
Saturday, 9am, Salon C (50 minutes)
Moderator: Michael A.Ventrella
Panelists: Danielle Ackley-McPhail, Alex Shvartsman, Leona Wisoker, Walt Boyes
A head’s up for writers on what editors don’t like to see or deal with from their authors. Headaches they’ve encountered in publishing.

G-5 Portable/Pocket Games
Saturday, 1pm, Parlor 1041 (50 minutes)
Moderator: Donna Dearborn;
Panelists: Eric Hymowitz, Alex Shvartsman, Krystina Lynch
All about games for entertainment anywhere!

P-11 Saturday, 10pm, Salon B (50 minutes)
Moderator: Alex Shvartsman
Panelists: Christine Norris , Eric V. Hardenbrook
A discussion about new magazine s that have come and gone, new zines that seem to have staying power, and short-lived publishing houses.

W-17 Writing, Selling and Publishing Humorous SF/F Fiction
Sunday, 9am, Salon B (50 minutes)
Moderator: Alex Shvartsman
Panelists: Stephanie Burke, Collin Earl, Phil Giunta, Sarah Pinsker
Panelist discuss how writing humor differs from “straight stuff”, both in the writing process and in the submission/marketing process.

P-10 From Slush to sale
Sunday, 1pm, Salon B (50 minutes)
Moderator: Sarah Pinsker;
Panelists: Scott H. Andrews, Damien Walters Grintalis, Alex Shvartsman, Christine Norris, Hildy Silverman
A detailed discussion on every aspect of the process of creating and publishing a professional and semi-pro magazine.

G-12. You Have Gaming in My Fiction
Sunday, 2:30 PM, Parlor 1041 (1 hour, 20 minutes)
Moderator: Neal Levin;
Panelists: Mike McPhail, Alex Shvartsman, Michael A. Ventrella, Jagi Lamplighter, Jon Sprunk
All about how to write media tie-in fiction for games

BL-2 The Dark Quest Books Mega-Launch
Sunday, 7pm, Frankie & Vinnies
Dark Quest Books launches their Spring 2013 titles with guest editors and authors:
Danielle Ackley-McPhail (“The Eternal Cycle”), Danny Birt, Jack Campbell (“The Lost Fleet series”), Myke Cole, Judi Fleming, Charles E. Gannon, Elektra Hammond, Eric V. Hardenbrook,
C.J. Henderson (“Teddy London”), Mike McPhail) , Bernie Mojzes, Christine Norris, KT Pinto, James Daniel Ross (“Radiation Angels”), Alex Shvartsman, Maria V. Snyder, Jim Stratton, Patrick Thomas (“Murphy’s Lore”, Robert E. Waters, and John C. Wright (“Chronicles of Chaos”), Jeff Young

R-47 Plotters vs Pantsers
Monday, 10am, Parlor 1041 (50 minutes)
Moderator: Michael A. Ventrella
Panelists: Jack Campbell (Hemry), Doc Coleman, Kat Otis, Jennifer Povey, Alex Shvartsman, Leona Wisoker
Do You Plan your Story or Write by the seat of your Pants? Panelists share the quirks and foibles of their working method with
readers. A Round Table discussion.

R-42 Is Science Fiction Giving Up on the Future
Monday, 11am, Salon B (50 minutes)
Moderator: Carl Cipra
Panelists: Michael D’Ambrosio, Darrell Schweitzer, Alex Shvartsmaon, Eric V. Hardenbrook
It seems ironic, in a time of such technical progress, and when we are confirming that the galaxy really does contain billions of planets, but a lot of science fiction seems to turn away from the future, as if, post-Singularity, it will be impossible to describe. Are alternate history and steampunk merely symptoms of a more general evasion of the future?

There are many other exciting panels and events at this excellent convention. You can download the complete listing here.


Publication: The Tinker Bell Problem in Buzzy Magazine

May 17, 2013

My humor story “The Tinker Bell Problem” was published today at Buzzy Magazine. I really like this little story (written for the Codex Mega Weekend Warrior contest). It’s about a demon who summons up a human via a pentagram, to do his bidding.

Here’s a brief sample:

Herbert sat upright, which sent a minor nuclear apocalypse through his skull. He was totally naked, sitting on the ground inside of an elaborate pentagram.

A large five-pointed star was drawn on the floor in a gooey red substance which Herbert dearly hoped wasn’t blood. A wider circle was drawn around the star. A variety of symbols were sprinkled along the circumference of the circle. Herbert recognized a peace sign, a stop sign, a smiley face, and a Pepsi logo in the mix.

The story is free to read on Buzzy’s web site. Check it out.

 


UFO2 Submissions Update – May 17

May 17, 2013

ufo1

We read just over 350 submissions to date.  Everyone who submitted prior to 5/12 should have heard from us by now. If you haven’t, please query ASAP.

I accepted seven stories so far, totaling 35,000 words. There are three more invited headliners who haven’t turned in their stories yet (they aren’t late; they have two more weeks) so that’s up to 18,000 more words. That means the competition for the remaining space in the book is going to be very, very tough. We are holding on to nine more stories in the final round of consideration so far, and more are sure to be added to that list. Already had to turn down some truly excellent stories and there’s a long road to travel yet.

Any reasonably good anthology, magazine issue, or contest gets far more quality submissions than they can use. It’s the nature of our field — supply always greatly outpaces demand. So if you got a rejection from us, or from anyplace else, please don’t take it personally. The editors aren’t merely looking for a good story — they’re looking for stories they can fall in love with. And that’s a very tough act to pull off, especially since tastes are highly subjective. Just keep sending it out there, until the story finds the editor who will think it’s perfect.

 

 


Publication: “Things We Leave Behind” in Daily Science Fiction

May 10, 2013

dsf

“Things We Leave Behind,” which was e-mailed out by Daily Science Fiction a week ago and premiered tonight on their web site, is the most personal story I’ve ever written.

As I pointed out in the story notes, much of it is autobiographical. Like the protagonist/narrator of this tale, I was born in the Soviet Union and my family ended up immigrating to America, after much debate between my headstrong mother and bookish father.  Just like the protagonist’s father, my dad collected books — which involved buying and selling them on the black market. And although the protective magic created by the books in this story stems from my imagination, every avid reader will agree that there is an undeniable and unique brand of magic in books, no matter what language they’re written in.

Read the story here.

 


It Came from the Slush Pile

May 6, 2013

It was only yesterday that I wrote a blog post about the UFO slush pile and had this to say:

This doesn’t mean that you can’t sell us a zombie reality TV story about a road trip in space. But it won’t be easy.

Challenge accepted! Less than 24 hours later, this story showed up in the UFO inbox.

Unfortunately I can’t include it in UFO2. A certain level of familiarity with the slush process is necessary to appreciate it. And reading the previous blog post is a must for an even better experience. But I thought it would make a perfect blog post, and also serve as a warning to all those who would submit real zombie/alien/reality TV stories to our slush pile, or any other. So I offered to buy the non-exclusive rights to post the story on this blog.

This is the author’s first story sale, and I’m thrilled to be a part of that.

Without further ado, presenting

alien

IT CAME FROM THE SLUSH PILE

By Rachel Winchester

“Thank you for seeing me on such short notice, Dr. Rostrum.  It’s hard to find a psychiatrist who’s taking on new patie… — of course, I can call you Bob. No problem.

“But, this gets a little personal, and if I could call you Doc– right, yes, I guess you’re used to hearing personal stuff. OK. Bob it is.

“Right, 50 minutes. So…it all began when I was reading submissions for a short story anthology. Science fiction stuff, supposed to be funny. You wouldn’t think there would be that many people willing to put in that kind of work for a shot at $100 or so, but there were thousands of submissions.

“I drank coffee and read manuscripts and drank more coffee and read more manuscripts until my eyelids felt like thresher blades and my eyeballs throbbed with each of their harvesting passes. I divided the stories into piles: FUNNY and NOT FUNNY. Then, to my horror, I realized I had to add another pile.

“ZOMBIES.

“I mean, I like some zombie movies, but I don’t get why they’re a thing, you know? They’ve got to be a symbol for something. Maybe because no one owns zombies. I mean, Lucas, or I guess Disney, isn’t going to sue anyone over zombies.

“And the submissions kept coming. Story after unfunny story about zombies, Bob. ‘I Was Married to a Zombie’, ‘Road Trip with a Zombie’, ‘We Can Zombie It For You Wholesale’, and ‘Do Zombies Dream of Electric Brains.’ And the worst part, Bob?  The absolute. Worst. Part? The zombie stories with bonus-gratuitous-rape.

“It was a veritable Penthouse Forum for Zombies.

“But I’d promised the editor I’d read them all. I didn’t even consider stopping.

“Then I got one in Comic Sans.

“What? No, I’m okay, I’m good…it’s just that…thinking about that font…I can see it…and…

“I’m good, seriously. Right here. Right here on the couch, Bob. See? Breathing normally. But thank you for the water. I think I’m ready to continue.

“Yes, there’s more. I know, you’d think it couldn’t get any worse than Com…that font. But it did. It did.

“Something about seeing a manuscript sent in looking like second-grade teacher’s syllabus jerked me awake, that’s the only way I can explain it. It made me realize how completely irrational it was to be living on coffee and Luna bars, reading slush. It made me realize that I’d been a total bitch to my partner every time she came in to suggest I take a shower or change my clothes. It made me realize that in the background, I’d been vaguely aware she was talking to a camera crew in the other room. About me.

“I know, I know, it sounds like paranoid delusions. But trust me, it wasn’t. It was much worse. You see, I realized then that I was on a reality show.

“Something called True Lives of Starving Writers. They were inter-cutting shots of authors slaving over pirated copies of Scrivener on refurbed laptops, voiceovers about how one guy had to switch to generic beer because he couldn’t afford MGD anymore, not until some magazine accepts his zombie porn story. Then they’d show me just shredding the submissions, and, God, they would even show my relationship coming apart. As you probably know, Bob, my partner had been telling the viewing audience about how she was trapped in this totally loveless marriage.

“I was mortified. I would never…I mean, sometimes I get into my writing, but I never thought I’d cut into our time together, and certainly not for slush.

“Also, and I have to explain this, the inner workings of the slush pile are sacrosanct. I’m doing this to pay my dues too, and learn from the submissions to make me a better writer. I would never go on a reality show and talk about it. And Darla…Darla would never go on one either.

“That’s when I knew something was really wrong. I knew it like I knew the sensation in my a–… my posterior–wasn’t from too much coffee and Luna bars. And I know you’re going to think I’m crazy, but–

“Heh, yeah, I guess you would hear that a lot, Bob. But really, the pain in my…posterior, what I thought was the pain of reading a story with too many zombies and a vampire thrown in for good measure? That pain was actually a probe. An alien anal probe.

“Aliens had kidnapped me, beamed me up, and were making me believe I was on a reality TV show about science fiction writers, and they were doing it because they were on a road trip and they were bored.

“You got that, Bob? I was a goddamn travel game some alien teenagers had picked up during a road trip pit stop on Earth.

“As I realized my plight, a gizmo on the aliens’ space-van dashboard started to beep. It got louder and louder…the aliens started to run around the van, tentacles flailing over their heads.  But I knew that sound. I sat straight up in bed, my alarm clock beeping at top volume. I was in my own bed, and whole thing was a dream!

“But, Bob…waiting for me, on the desk in the corner, were all those unread submissions.  And there, on the floor next to the desk, were three piles of manuscripts:  FUNNY, UNFUNNY…and ZOMBIES.

 END

Rachel Winchester (@RaqWinchester) was born in Roswell, NM, and believes her love for science fiction was inevitable.  She has lived and worked around the world, including in Bucharest, Kuala Lumpur, Sana’a, Athens, Caracas, and Los Angeles. She now works as a government consultant.  This is her first story sale.


UFO2 Submissions Update

May 5, 2013

ufo1

First of all, thanks again to everyone who pledged and promoted our Kickstarter campaign. We are fully funded and are able to produce the book in the fashion we wanted to, without cutting corners!

We received around 150 submissions in the first four days of May. The associate editors and I have been reading furiously to try and make sure that we respond very quickly and don’t hold anyone’s story hostage unless we’re seriously considering it for inclusion. As of right now, everyone who submitted on or before May 2 should have heard from us, either with a rejection or a round 2 bump. If you did not receive a response to your story submitted prior to May 3, please query us.

Here is a brief list of things we’re seeing too much  of among the submissions:

- Stories with contact info and byline still intact. I have to manually remove them before sending them over to the readers for anonymous consideration. This makes me sad.

- Zombies

- Stories that aren’t funny in any way, shape or form. We’re not sure why they were sent to us instead of a venue that isn’t seeking humor.

- Zombies

- Cliche aliens, usually with some sort of probing thrown in

- Reality TV stories

- Zombies

- Vampires

- Road trips complete with every road trip cliche, except they’re space road trips in space. Usually with a pit stop on Earth.

- Zombies

This doesn’t mean that you can’t sell us a zombie reality TV story about a road trip in space. But it won’t be easy.  When I see the word ‘zombie’ in a submission my eye begins to twitch, I extend my arms and walk around the office for a while moaning “rejeeeeect” — so you have to overcome that. Good luck.

Things that I would like to see more of:

- Unusual settings and scenarios. There are only so many times I can read a story about mythological gods in modern setting or aliens landing in rural America. Surprise me!

- Stories from international authors. We are actually doing quite good with that, so far. We have received stories from all over the world, and want more! Keep in mind that, while we are not considering reprints, we’ll make an exception for stories that were published in another language, as long as they have not been previously published in English.

- Art. We still need a cover artist/designer and possibly interior artists. While I am talking to a couple of people, we haven’t settled on anyone yet — send me a link to your portfolio soon if you wish to be considered!

 

 


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